Insomnia is a well made thriller with a standout performance from Stellan Skarsgård who, to this point, was not very well known to American audiences. Writer/Director Erik Skjoldjærg does a good job with the psychological elements in combination with his take on film noir making this a film well worth watching.
Lake Placid is a fun horror-comedy, with more emphasis on humor, that might not be the best written flick but it’s a breezy enough 82-minutes of sarcastic one-liners and characters, albeit mostly on-dimensional, that you actually enjoy watching, especially a fouled-mouthed Betty White in a small yet pivotal role.
Sleepaway Camp might not be my favorite slasher, and generally I’m not a big fan of the genre anyway, but it’s got its moments even outside of the classic and shocking climax.
“Crocodile” Dundee I and II might not be the top-of-the-line in comedy, especially coming out of the 1980s, but I found both of them, even the weaker sequel, to be fun time wasters headlined by the charming antics of Paul Hogan and his on-screen chemistry with Linda Kozlowski.
Jack Ryan: Shadow Recruit is hardly the perfect movie, it’s not even a good thriller, but it’s a satisfying enough flick so long as you aren’t a fan of the character or novels. The plot is a bit thin but the action scenes, as dumb since as they may be, were well filmed at least.
Weekend at Bernie’s is a fantastic comedy and a classic that has stood the test of time and has plenty of replay value even though technically with a plot like this, it shouldn’t have worked but due to the cast and jokes that actually hit their marks, it’s a film well worth checking out if you haven’t already.
3 Days to Kill is yet another Luc Besson-scripted, plug-n-play movie that doesn’t really offer anything new to the genre and yet despite all its problems, still manages to be at least a serviceable action-thriller worth a look.
Torque is a biker version of The Fast and the Furious (from its producer no less) sans any memorable characters and includes terrible dialogue, a lame story (even for a movie like this) and even worse visual effects culminating with an awful, and confusing, finale.
Used Cars is not only a biting and dark satire but it’s also very funny and pretty edgy even by today’s standards to the point I’d doubt a film like this would get widely released. Kurt Russell is fantastic in the lead role and the supporting cast, led by Jack Warden, is wonderful as well.
The Slumber Party Massacre is yet another fine release from the folks at Shout Factory who have been at the helm with providing home viewers with some of the more obscure titles.
Justice League: War might not be the best of the DC Universal Animated Movie line and a step down from Justice League: The Flashpoint Paradox and The Dark Knight Returns, but it is entertaining enough though the voice casting this go around isn’t the best, though we might be stuck with them given War is to be the first of connecting DCUA movies.
Darkman is a cheesy but really fun throwback to the B-movie horror days of Hollywood. Liam Neeson is wonderful and turns in a great performance considering the amount of make-up he had to work under while Sam Raimi, far from perfect direction, shows what would come with his Spider-Man franchise.
The Shadow had plenty of potential but thanks to budgetary constraints and a screenplay that probably could’ve used a polish, that’s all this film is left with. But now 20 years later, it receives new life on Blu-ray to the point hopefully it finds a new audience and Hollywood takes another stab considering the advancement in visual effects with value to the dollar.
is a poorly made thriller that wants to be Misery but without the top-notch acting and well-written screenplay adapted from a Stephen King novel. I can’t say I hated this movie yet I have no issues saying it’s really bad, just not bad enough to get angry over. There’s no doubt this one will get lost in the fray of other terrible films, though the cover will probably garner some interest.
“Crossing Lines” as a drama isn’t bad but it is a show carried by its characters which are mostly well done and finely acted led by William Fichtner and Marc Lavoine. The stories do seem culled from “Criminal Minds” but even so, they are compelling enough to make each episode entertaining.