Harry Potter and the Goblet of Fire is a solid entry into the franchise, the first of the five from Mike Newell, and does a decent job balancing the dark elements with some brighter scenery, a departure from Alfonso Cuarón’s Prisoner of Azakban.
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The Hitman’s Bodyguard is a bit uneven in terms of both the action and comedy, but with the dynamic between Reynolds and Jackson, it’s hard not to have a good time with the excessive violence and language, though the film hardly breaks new ground for the mixed-genre.

