The Courier actually is not a half bad movie. Flawed for sure with some questionable plot elements and poor dialogue, but it was solidly entertainin, mostly for some fun Oldman scenes and Olga Kurylenko carries herself as a kick ass action heroine.
Mary on paper at least had plenty of potential and with a recent Academy Award winner at the helm in Gary Oldman, this was an all around disappointing film with poor editing and weak plot and characters.
Killers Anonymous had a fun premise and a great actor in Gary Oldman, but neither aspect resulted in anything very entertaining in a movie which consisted of characters in a mostly singular location talking, culminating with a convoluted twist.
Air Force One is a strange film, a kind of film from simpler times I guess but after 20 years, for the most part the film holds up well, mainly for the performances by Harrison Ford and Gary Oldman more so than the dated visual effects.
Darkest Hour is one of the better movies of 2017 and features a powerhouse, and Oscar-worthy, performance from Gary Oldman who proves once again that he is a chameleon no matter what role.
Darkest Hour is one of the better movies of 2017 and features a powerhouse, and Oscar-worthy, performance from Gary Oldman who proves once again that he is a chameleon no matter what role.
The Dark Knight Rises might be a slight step down from its predecessors in terms of story, but the performances from Christian Bale, Tom Hardy, Gary Oldman and Anne Hathaway were all top notch and it was a satisfying enough conclusion to the trilogy.
The Dark Knight might just be the closest to superhero movie perfection as they come and although it might be mostly remembered for Heath Ledger’s amazing performance which garnered him an Oscar posthumously, the script is expertly written by Jonathan and Christopher Nolan.
Batman Begins is perhaps one of the best superhero origin movies ever made, maybe slightly behind Superman but ahead of Iron Man. The performances from (most) of the cast is solid and Bale was genius casting helped by a legendary supporting cast.
Harry Potter and the Goblet of Fire is a solid entry into the franchise, the first of the five from Mike Newell, and does a decent job balancing the dark elements with some brighter scenery, a departure from Alfonso Cuarón’s Prisoner of Azakban.
The Hitman’s Bodyguard is a bit uneven in terms of both the action and comedy, but with the dynamic between Reynolds and Jackson, it’s hard not to have a good time with the excessive violence and language, though the film hardly breaks new ground for the mixed-genre.
Harry Potter and the Prisoner of Azkaban is perhaps one of my favorites of the series and kind of a shame director Alfonso Cuaron didn’t return to do more of these and it was a nice, and necessary, change-up as Harry’s storyline advances to darker territories.
Léon: The Professional is a masterpiece of work from Luc Besson and is easily my favorite and most emotion-filled film to date. The performances by Jean Reno (who deserved an Oscar nomination), Natalie Portman and Gary Oldman were all fantastic in their own distinctive ways.
The Fifth Element is a mixed bag of a film with some great flare and style but then you add in Chris Tucker and his obnoxious character to balance all that good out. On the plus side, Gary Oldman, as outlandish as his character is, is a lot of fun to watch and Milla Jovovich provides a nice spark.
A solid improvement over Rise, Dawn of the Planet of the Apes has director Matt Reeves taking the franchise to the next level providing some well written and finely directed scenes.