The Lost City is a perfectly watchable action-adventure-comedy that combines Romancing the Stone and Uncharted and while I can’t say it’s anything amazing or even memorable, it’s fine as a one-time viewing and rental.
The Lost City is a perfectly watchable action-adventure-comedy that combines Romancing the Stone and Uncharted and while I can’t say it’s anything amazing or even memorable, it’s fine as a one-time viewing and rental.
Fantastic Beasts: The Secrets of Dumbledore is the latest entry into a franchise that is below average at best and lacks the, pardon the pun, magic of the Harry Potter films both in terms of story and characters.
Edge of Tomorrow is just an all around fun and action-filled sci-fi thriller that unfortunately didn’t produce phenomenal numbers at the box office that a sequel, while being talked about off and on over the years, is looking unlikely.
Firestarter is one of those remakes/re-adaptations that asks the question: why bother? The end result was a film that has very little to offer and will be forgotten not long after you finish watching.
There’s no doubt Robert Eggers is a talented filmmaker and while I can appreciate some of the technical achievements with bringing a Viking lore to life, and the entire cast giving solid performances, I wasn’t entirely captured by the story and in the end, despite some wonderful visuals, found this to be fairly forgettable.
Ambulance had a simple plot but this being directed by Michael Bay, he makes it far longer than it needed to be, stretching it past two hours and making it less than riveting, not helped by the choppy editing and nausea-inducing drone shots.
There’s no doubt the cinematic and cultural significance with Shaft, the movie itself is a bit slow but Richard Roundtree in the lead was fantastic and made the film more than worth checking out.
The Contractor is an okay suspense-thriller and does showcase Chris Pine’s charisma (the reason I liked him as Jack Ryan), however the plot is thin and the writing pretty standard and predictable.
While a movie like Eraser was primed for a reboot (better yet, a TV series) as the concept is good, the result with Eraser: Reborn was poorly conceived from script to performances.
Stunt Rock might’ve been an interesting idea on paper and admittedly Grant Page has a great personality to the point I wish this was a documentary on the man instead of mixing a fictionalized storyline.
Savage Sisters is a passable but pretty forgettable 1970s-era female-led action flick but Gloria Hendry, Sid Haig and John Ashley are highlights.
Double Indemnity is what is considered The Godfather of film noir. It’s a fantastic film through and through thanks to a tight and suspense-filled script from Billy Wilder and Raymond Chandler and exceptional performances by MacMurray, Stanwyck and Robinson.
The Batman is a good film. Not great. I did like that Matt Reeves had a different and unique take on the character who has seen the big screen a handful of times dating back to 1989 and while there is room for improvement.
The early 1980s produced many slashers in an attempt to take advantage of the successes of the Friday the 13th and Halloween franchises, and Girls Nite Out is one of them, however there’s nothing here I found all that entertaining.
Cursed is a movie that had a far more fascinating production than the movie itself, which I found mildly watchable if only for Christina Ricci in the lead.