Despite only having a relatively short 94-minute running time, Source Code is a far more impactful film than others that are a good 40-50 minutes longer, the reason in part is the efficiency of director Duncan Jones.
The Final Word on Physical Media
Saving Private Ryan is just one incredible experience from the amazing war sequences from the D-Day invasion to the Ramelle scene but in between are some excellent performances headlined by Tom Hanks, and should’ve taken home Best Picture especially over Shakespeare in Love.
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Fifty Shades Freed isn’t bad enough to be fun and the lack of chemistry between Dakota Johnson and Jamie Dornan makes it so much worse to watch, thankfully this is the shortest one of the series, so there’s that.
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The Virgin Suicides is a movie that didn’t have a huge impact on me then and now I can appreciate it for its direction and the performances, but nothing else otherwise in terms of any emotional impact.
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The 80s Overdrive: 6 Movie Collection is just another re-package job by Mill Creek, a few triple dipping at this point. I guess if you didn’t already own any of these movies, and considering its low SRP, might be worth picking up, otherwise skip.
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This is a case of quantity over quality here, though there are a couple of decent films like Vacancy and I Know What You Did Last Summer (if you like late 90s slasher horror) but otherwise these are movies previously released by Mill Creek re-packaged together.
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Given the renewed interest in the shark attack subgenre of horror, it’s easy to see why the studio would make a sequel to Deep Blue Sea, a movie that often gets forgotten. As it is, the sequel is just plain bad with a plot that mirrors the original with some tweaks.
Tremors: A Cold Day in Hell is the fifth movie in the series and while it’s hardly great even by mindless entertainment standards, it’s still an enjoyable enough time anyway especially watching Michael Gross and Jamie Kennedy having a great time with the material.
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