Batman Begins is perhaps one of the best superhero origin movies ever made, maybe slightly behind Superman but ahead of Iron Man. The performances from (most) of the cast is solid and Bale was genius casting helped by a legendary supporting cast.
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Batman Begins is perhaps one of the best superhero origin movies ever made, maybe slightly behind Superman but ahead of Iron Man. The performances from (most) of the cast is solid and Bale was genius casting helped by a legendary supporting cast.
Kingsman: The Golden Circle is a bit of a step down from the first film but thanks to the cast – primarily Colin Firth, Mark Strong and Julianne Moore – it does make for an entertaining enough sequel.
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Interstellar very well may be my favorite Christopher Nolan movie, perhaps even edging out The Dark Knight which is saying something from a Batman fan. The performance from Matthew McConaughey was magnificent and powerful and the story itself captivating.
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Transformers: Age of Extinction is the latest from Michael Bay and to be honest, it very well may be the worst, even worse than Revenge of the Fallen if only because it clocks in at insanely ridiculous 165-minutes, 40+ minutes could’ve been cut and not have been missed.
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Transformers: Dark of the Moon is hardly the high point of action but I must admit that I actually mostly enjoyed this installment possibly because the previous sequel was so bad that it made this film look like Citizen Kane. In any case, once again the visual effects are incredible and the story was at least acceptable.
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Transformers: Revenge of the Fallen takes the action up a notch as sequels do but, somehow, dumbs down the story and makes me not care on bit about any of these characters, mechanical or human.
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Harry Potter and the Goblet of Fire is a solid entry into the franchise, the first of the five from Mike Newell, and does a decent job balancing the dark elements with some brighter scenery, a departure from Alfonso Cuarón’s Prisoner of Azakban.
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The Hitman’s Bodyguard is a bit uneven in terms of both the action and comedy, but with the dynamic between Reynolds and Jackson, it’s hard not to have a good time with the excessive violence and language, though the film hardly breaks new ground for the mixed-genre.
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