The Contractor is an okay suspense-thriller and does showcase Chris Pine’s charisma (the reason I liked him as Jack Ryan), however the plot is thin and the writing pretty standard and predictable.
The Contractor is an okay suspense-thriller and does showcase Chris Pine’s charisma (the reason I liked him as Jack Ryan), however the plot is thin and the writing pretty standard and predictable.
While a movie like Eraser was primed for a reboot (better yet, a TV series) as the concept is good, the result with Eraser: Reborn was poorly conceived from script to performances.
Stunt Rock might’ve been an interesting idea on paper and admittedly Grant Page has a great personality to the point I wish this was a documentary on the man instead of mixing a fictionalized storyline.
Savage Sisters is a passable but pretty forgettable 1970s-era female-led action flick but Gloria Hendry, Sid Haig and John Ashley are highlights.
Double Indemnity is what is considered The Godfather of film noir. It’s a fantastic film through and through thanks to a tight and suspense-filled script from Billy Wilder and Raymond Chandler and exceptional performances by MacMurray, Stanwyck and Robinson.
The Batman is a good film. Not great. I did like that Matt Reeves had a different and unique take on the character who has seen the big screen a handful of times dating back to 1989 and while there is room for improvement.
The early 1980s produced many slashers in an attempt to take advantage of the successes of the Friday the 13th and Halloween franchises, and Girls Nite Out is one of them, however there’s nothing here I found all that entertaining.
Cursed is a movie that had a far more fascinating production than the movie itself, which I found mildly watchable if only for Christina Ricci in the lead.
Wild Things is the perfect sleazy, trashy yet also entertaining erotic-suspense-crime-thriller that has a great plot with twists and turn underneath the sultry sex scenes.
Beverly Hills Cop II might a shell of the original but still holds some fun entertainment value with Eddie Murphy taking more control over not only the character but behind-the-scenes as well.
Death Wish II isn’t a great sequel by any means and like the first, hard to really “enjoy” the film or find it terribly entertaining given the assaults early on, though seeing the scumbags getting their justice had satisfying elements at least.
Spider-Man: No Way Home was probably my favorite of the “trilogy” with an okay story, albeit thin and on the contrived side, but the character and their developments were pretty entertaining.
Scream 2022 is a decent entry into the now vaunted franchise. The kills are gorier than ever and the new cast actually mostly work and it’s nice to see the three legacy cast members back one more time even if their roles are on the limited side.
New Year’s Evil is a ho-hum horror movie with little horror and the kills pretty standard. Save for the finale, this is a bore of a film that might have a minor following but for myself, little about this was enjoyable outside of Kip Niven’s creepy but fun performance.
Magnum, P.I. was an iconic show from the 1980s and succeeded through its eight seasons thanks to the charm of Tom Selleck along with a fun core supporting cast, led by John Hillerman.