Probably the only thing the Blackbeard mini-series is remembered for is being one of Jessica Chastain’s first major roles, otherwise most everything in this seemed cheap from including the production and at nearly three hours, a slog to sit through.
I realize Snapshot isn’t a very good film from the story to characters, it’s not even good as an exploitation kind of way, and yet I couldn’t help but to be moderately entertained and drawn toward actress Sigrid Thornton who made it quite watchable.
Alien: Covenant had plenty of potential as it starts off well enough before taking a nosedive into derivative territory, filled with idiotic characters, and an utterly stupid finale.
Chuck is a run-of-the-mill boxing drama that features some solid performances headlined by Liev Schreiber, Elisabeth Moss and Jim Gaffigan, though in Schreiber’s case, it’s amazing the work he was able to do with the amount of make-up caked on his face…
This 2005 TV adaptation of The Poseidon Adventure is pretty awful. Not only is the acting bad, I honestly expected a bit more from Rutger Hauer and even Peter Weller, it’s a story stretched across 170+ minutes, it is quite tedious to sit through.
The Zodiac Killer is a movie where how it was made was far more interesting than the movie itself, which is just plain bad but with some unintentionally funny scenes here and there, at least when not involving scenes depicting the Zodiac’s real victims.
The Hunter’s Prayer isn’t exactly a memorable suspense-drama or anything and Sam Worthington doesn’t exactly turn in a strong performance, meaning par for the course for the actor, but I did think the young Odeya Rush was a standout and I was moderately entertained.
Kill Switch might be, on paper, an interesting concept but by going with the first person shooter route and you actually distance yourself with the main character as played by Dan Stevens and at that point you couldn’t care less about his situation.
Once Upon a Time in Venice doesn’t quite work either as crime or comedy, but I have to admit to chucking a few times here and there and can appreciate the cast, though the likes of John Goodman and Famke Janssen were underutilized.
King Arthur: Legend of the Sword actually isn’t a terrible movie and yet, a couple problems: 1. There really is a need for yet another adaptation, even one that incorporates more mystical elements, 2. Guy Ritchie’s style doesn’t quite gel with the material and 3. Charlie Hunnam doesn’t nearly have enough charisma to carry this movie.
Going in Style is a light-hearted but incredibly fun, and oft funny, movie that excels almost entirely on the cast charms and chemistry with one another as Michael Caine, Morgan Freeman and Alan Arkin work so well off one another, even when the script isn’t all that creative.
Ronin is a fantastically slow burning yet still suspense-filled crime drama, a call back to the 60s and 70s preferring realistic car chases, not unlike Bullitt and The French Connection.
Re-Animator is a fun horror-comedy from the mid-80s, with enough blood to satisfy gore-hounds, and receives a nice upgrade over its 2012 Blu-ray stocked full of wonderful extras, a few new to this release from Arrow Video, and offering up excellent video and audio transfers.
Teen Wolf Too is really the quintessential example of a needless sequel, though not nearly as awful as something like Weekend at Bernie’s 2, not that’s all saying that much, even Michael J. Fox’s charm could’ve saved this.
Teen Wolf isn’t exactly a memorable film from the 1980s, not even the most memorable Michael J. Fox movie of 1985 for that matter, but it’s still a lot of fun and with that era, the make-up effects actually weren’t half and the movie itself is propelled on Fox’s charisma.