Movieman's Guide to the Movies
The Final Word on Physical Media
X-Men: Apocalypse was a pretty big disappointment for me following Days of Future Past and while some of the technical parts were well done, the rest had a very stale vibe with similar story elements rehashed from the first X-Men movie way back in 2000.
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Angels & Demons is technically better than The Da Vinci Code in many regards especially in terms of pacing and a tighter story and while Tom Hanks delivers in his performance and Ewan McGregor and Stellan Skarsgard make for fine supporting roles.
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The Da Vinci Code has more or less remained the same in my eyes since seeing it in theaters a decade ago. The acting more or less steals the show over a bit of a convoluted story, yet the mystery and adventure aspect makes the nearly two-and-a-half hour running time bearable.
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The Great Gatsby has a lot going for it: a charismatic lead actor, a solid supporting cast, some good adaptation work by screenwriters Luhrmann and Craig Pearce, lavish award-worthy set and costume designs and wonderful cinematography, but otherwise it’s empty on any emotional level.
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From just the tagline of “Saving the world takes a little Hart and a big Johnson”, Central Intelligence could’ve been a fun, if not throwaway, comedy but with very few laughs despite the ernest attempts by Kevin Hart and Dwayne Johnson, the film just did not work.
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On a technical level, Warcraft isn’t terrible but in today’s and age and the advancement in the visual effects realm, it’s should be a given especially with a big budget tentpole. Outside of the VFX, and as someone unfamiliar with the source material, I found the film to be dull and filled with thinly written characters.
Now You See Me 2 is not the type of movie that will tax your mind but instead is a perfectly serviceable caper-comedy, one that succeeds more on the chemistry with the ensemble, with newcomer Lizzy Caplan being the highlight, rather than anything to do with the thin plot, though I did appreciate some of the magic even if it’s CGI-generated.
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The Huntsman: Winter’s War isn’t terrible yet clearly a movie that should never have been greenlit (at best might’ve served well as a TV series with an unknown cast). Even so, there’s some moments that worked, the visual effects were OK and I did enjoy the ensemble cast, mainly Hemsworth and Chastain.
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The Angry Birds Movie might be fine for younger viewers and the animation looks gorgeous, the voice cast talented and a decent enough core story but the jokes fell flat and I was mostly bored throughout its 90-minute running time.
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Criminal is your run-of-the-mill action/thriller that succeeds mostly with a strong ensemble cast led way by Kevin Costner who gives a nice performance while Gary Oldman, Tommy Lee Jones and Ryan Reynolds are more background noise. This is the perfect movie as a rental, but not much more.
Allegiant is the latest mundane entry in the Divergent Series and while I didn’t think it was classically bad and not an original moment from the production to the visual effects, heavily borrowing from other dystopian-set movies, I can’t say was bored and I at least did care about the Tris character.
I know plenty have hated the Divergent Series thus far and although hardly great, I found portions at least semi-entertaining but that’s about it. Unlike Hunger Games: Catching Fire and to a lesser extent Mockingjay Part 1, Insurgent just kind of “is”.
Divergent is what I’d like to call a ‘nice’ movie. There’s nothing here terrible offensive but at the same time, it doesn’t break new ground either. The direction is more than adequate and the performance by Shailene Woodley is strong. But for all the good, the story structure is odd.
Star Trek Into Darkness is a sometimes fun summer blockbuster featuring a great cast, decent story (even with some of the lazier plot points) and amazing visual effects. It’s a nice addition to the Star Trek franchise though my hopes any problems with the plot, or lack of originality, is corrected with the upcoming Star Trek Beyond.
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Star Trek (2009) is an incredibly fun and innovative way to reboot the long-running franchise. The story is interesting enough but what makes the movie excel is with the ensemble Abrams and company put together from Pine to Quinto to Urban, who often steals the show.