Movieman's Guide to the Movies
The Final Word on Physical Media
No Time to Die is a fitting finale to the Daniel Craig era as James Bond and while I personally still love Pierce Brosnan mainly because I grew up during his reign, Craig brought his own style to the longtime character and for the most part delivered a high-quality selection of movies.
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The Night Clerk from director Michael Cristofer (whose last film was 2001’s Original Sin) is a mystery-thriller starring Tye Sheridan, Ana de Armas, John Leguizamo, Helen Hunt and Johnathon Schaech and is available on DVD April 7th.
Knives Out isn’t quite a masterpiece but certainly has roots in a classical Agatha Christie mystery with some modern, topical twists which at times come across as preachy. Other than that, however, this is a wonderful mystery-comedy with a fantastic ensemble.
Continue reading “Knives Out 4K Ultra HD and Blu-ray Review”
Blade Runner 2049 is probably not a great sequel to the 1982 classic but still a very good movie as a whole. Although the visuals (both in terms of cinematography and effects) are fantastic, the characters weren’t all that interesting and the performances were just okay. However, this is still well worth seeing.
Continue reading “Review: Blade Runner 2049 4K/BD + BD Screen Caps”
Suffice to say, Overdrive is not a very good movie and yet I can’t help myself to be reasonably entertained if only for some of the respectable car chases and stunts and at least an tolerable story that kept me engaged for the short running time.
War Dogs could’ve been better but as it is, the performances by Jonah Hill and Miles Teller were solid, as was Bradley Cooper’s brief role, yet the story never quite hit its mark for me. At the very least, it is worth a rental.
Hands of Stone isn’t a half-bad boxing drama biopic and yet by the end, I wasn’t exactly connected on any level with the story and outside of some nice performances, there’s not much that stands out.
It’s really a shame that, as with Dying of the Light, it’s unlikely we’ll ever see what director Gee Malik Linton’s original movie was like although I have read some have seen his cut. Instead, we get a hodge-podge mess of a film slapped together by the studio and the result was an utter mess of a film.
Knock Knock is the latest Eli Roth misfire and although on paper it sounded good, the execution was anything but. The acting was bad, including Keanu Reeves and his wooden performance, to go along with poor writing. Not sure in what circumstance I would ever revisit this film.