I don’t mind admitting Chicago is an amazing musical that holds up just as well today as it did 10 years ago and still deserving of its 6 Academy Awards including Best Picture. The performances, both in acting and singing, from Renee Zellweger, Catherine Zeta-Jones and Richard Gere are astounding not to mention Queen Latifah and John C. Reilly also turn in wonderful performances.
The praise for Million Dollar Baby might have waned over the years and upon its release got its fair share of spoofs, but 8 years later I still loved just about every minute of it even if it’s as depressing as all hell.
Stop-Loss is a well made war-drama featuring several fine performances from Ryan Phillippe, Joseph Gordon-Levitt and Channing Tatum. I wasn’t floored by the film and it doesn’t even compete with the best war movies and it doesn’t possess much replay value, but it might be worth a watch.
A Chorus Line certainly has its fans and detractors with the latter angered at how it was adapted and although I’ve never seen the stage play, I can’t say I’d blame them as it’s not a very well made musical, though the opening musical number was catchy and some of the performances from the stage players weren’t bad.
Justice League: War might not be the best of the DC Universal Animated Movie line and a step down from Justice League: The Flashpoint Paradox and The Dark Knight Returns, but it is entertaining enough though the voice casting this go around isn’t the best, though we might be stuck with them given War is to be the first of connecting DCUA movies.
Death Wish is quintessential 1970s crime and grit and with the performance of Charles Bronson makes it a classic in its own right. It’s a fairly thought-provoking flick as well about vigilante justice and its effect on society though even on that front, its skin deep.
Haunter is hardly perfect and definitely uneven with the first half bordering on brilliance and the second predictable yet still between the fanastic mood setting and the performance from Abigail Breslin, this is at the very least worth a rental or maybe purchase.
Two Weeks Notice isn’t the most memorable romantic-comedy or anything but Hugh Grant and Sandra Bullock share good chemistry together even if the story is a bit thin. The catalog Blu-ray released by Warner ports over all of the features from the DVD and offers a moderate upgrade in both the picture and audio.
City of Angels has some cheesy moments and Nic Cage early on doesn’t quite exude leading man who can act creepy yet still nab pretty (and smart) surgeon, but once you get beyond that, the story mostly works and somehow Cage and Ryan share good on-screen chemistry.
Darkman is a cheesy but really fun throwback to the B-movie horror days of Hollywood. Liam Neeson is wonderful and turns in a great performance considering the amount of make-up he had to work under while Sam Raimi, far from perfect direction, shows what would come with his Spider-Man franchise.
Ender’s Game is a perfectly entertaining yet safe sci-fi action/thriller. Asa Butterfield is splendid in his follow-up to his breakout role in Hugo. That said, the rest of the movie borders on mediocrity and only saved due to some impressive visual effects and a story that was compelling enough to keep one’s attention until the end.
Twilight Time has another wonderful Blu-ray release on their hands with a fantastic restoration for both the video (especially amazing) and audio that any fan of Khartoum will hopefully appreciate.
Escape Plan is a fun throwback to the 80s and 90s action genre culminated with starring the two biggest actors of that era. Although neither one of them are at the top of their game, this is still an enjoyable flick well worth at least one viewing if only to see Stallone and Schwarzenegger fight.
The Shadow had plenty of potential but thanks to budgetary constraints and a screenplay that probably could’ve used a polish, that’s all this film is left with. But now 20 years later, it receives new life on Blu-ray to the point hopefully it finds a new audience and Hollywood takes another stab considering the advancement in visual effects with value to the dollar.
is a poorly made thriller that wants to be Misery but without the top-notch acting and well-written screenplay adapted from a Stephen King novel. I can’t say I hated this movie yet I have no issues saying it’s really bad, just not bad enough to get angry over. There’s no doubt this one will get lost in the fray of other terrible films, though the cover will probably garner some interest.