Sony Pictures Home Entertainment has announced the date and released artwork Spider-Man: Far From Home starring Tom Holland, Samuel L. Jackson, Zendaya and Jake Gyllenhaal. Click on the link below or image to the left to check out the features and artwork.
John Wick: Chapter 3 – Parabellum isn’t a great entry into the franchise due to a weak storyline and character decision-making not making much sense; the action itself still was highly entertaining and even exhilarating; however I do hope the filmmakers find a better balance with story and action in the next film.
Daybreakers is actually a pretty innovative vampire horror film giving viewers an interesting world run by vampires, running short on human blood to survive. The highlight, as he is in most films good and bad, is Willem Dafoe.
Rambo is an excellent entry into the vaunted franchise and a much needed boost after the disappointing third film. Stallone was in top form and still was believable that he could still kick ass.
Godzilla: King of the Monsters is a movie I had little expectations for considering, at least from memory, not caring a whole lot for the previous entry, but even then, the film feels every bit of its 2+ hour running time and features paper-thin characters.
The Flash: The Complete Fifth Season was highly entertaining even though I’m not the biggest fan of these “Team” aspects which hurt Arrow, but here, the family dynamic with Barry/Iris/Nora injected some great emotion and the villains were well done.
Hopefully this will satisfy the legendary Francis Ford Coppola. Personally, while I did love Apocalypse Now: Final Cut, and give it an A+ grade, it’s not perfection as the French plantation scene still drags the film down.
Alice, Sweet Alice for some reason has cultivated a following over the 40 years since its release and while atmospherically it was decent, the rest wasn’t all that impressive from the stringed-together plot to some laughable over-the-top performances.
Could be argued Lock Up was one of Stallone’s best movies of the 1980s and its one where he felt right in his element and although the story isn’t the strongest, it still was highly entertaining and consistently thrilling.
Although one of his lesser and simpler films, John Ford’s Wagon Master is a very well made 1950s western featuring a great setting and some solid performances all around.
The Hustle is actually an appropriate title as this remake is devoid of any originality or even an attempt at it, merely taking every plot point from Dirty Rotten Scoundrels. It was all a lazy cash grab, which most remakes are, but this was far more blatant about it.
Poms is a fine, even at times sweet, little comedy-drama featuring some great performances from its older cast, with Diane Keaton still showing she’s got so much charm.
Killers Anonymous had a fun premise and a great actor in Gary Oldman, but neither aspect resulted in anything very entertaining in a movie which consisted of characters in a mostly singular location talking, culminating with a convoluted twist.
Batman: Hush is a not top-of-the-line entry in the DC Animated Universe line and while the deviation from the source material is understandable, even necessary, what they went with was hardly satisfying.
No real surprise that I never heard of the novel it’s based upon, The Sun is Also a Star is a fine romance-drama that never manages to impress beyond a scene or two with leads, yet fans of the genre might get more enjoyment out of it.