Godzilla version 2014 isn’t a bad movie, not by any stretch, but it didn’t quite meet its full potential. The visual effects are great and when Godzilla finally shows up on screen, 59-minutes in no less, the energy picks up only to get bogged down again with the human element which, despite some good actors, feels like a waste of time with minimal payoff either emotionally or thematically.
The Battery actually is a well made indie horror-drama with more emphasize on drama with only a few zombies thrown in, but instead focuses on the two main characters and their day-to-day interactions.
They Came Together might not quite come together, no pun intended (really) like the filmmakers wanted, and not close to Wet Hot American Summer, but there is a certain charm in its spoofing of the romantic comedy genre mainly due to the comedic timing of Paul Rudd and Amy Poehler.
“Bitten”: The Complete First Season isn’t a horrible nor is it unwatchable, mainly because of star Laura Vandervoort, but I’ve seen this story countless times on better produced series like “Supernatural,” “The Vampire Diaries,” and “True Blood”… Well, two out of the three anyway.
Night Moves is not a movie for everybody. It’s a slow-burn crime-drama with some fine performances, particularly by Jesse Eisenberg yet you also have to be patient for the plot to play out with the first 20-minutes or so is all set-ups with the final 80-minutes used for the aftermath of the characters’ actions.
The Possession of Michael King is the latest in the “found footage” flicks that have permeated theaters and store shelves over the past decade or so and it’s frankly kind of dull and not at all scary.
Cabin Fever: Patient Zero could’ve just been condensed down to Patient Zero has it has no bearing on the first movie and is merely a generic, flesh-eating virus movie like any other. The acting is also a bit wonky with Sean Astin surprisingly giving the best performance and keeping this from being a complete waste of time.