The Final Word on Physical Media
Pumpkinhead might not be most well made horror movie coming out of the ‘80s but it has gathered somewhat of a cult following and there are some things to be admired from the late and great creature creator Stan Winston marking his directorial debut, one of only two feature films.
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Kind of forgotten in the wake of James Cameron’s The Abyss, Leviathan is an OK if not uneven sci-fi adventure. The cast is good and some of the creature effects aren’t bad either, but at the same time it comes across as a rip-off of Alien sans suspense and compelling storytelling.
The Legend of Hell House is an effective British supernatural-horror-thriller with fine performances all around but with special notice on Roddy McDowell and Pamela Franklin.
Blended isn’t nearly as bad as some of Sandler’s other recent “works” (i.e. train wrecks) because unlike something like Grown Ups 2, I actually managed to laugh (even mildly) a couple of times and, well, it actually had some semblance of a plot even if it is convoluted. And although the material is substandard, the re-pairing of Sandler and Barrymore is a welcoming sight.
Eleven seasons in and “NCIS” is still going strong, being able to do the same old, same old and yet switch things up with multi-arc episodes as well as giving its characters, even if little by little, development. The only drawback is the production values seem to be limited but I can overlook it for solid storytelling and, of course, the chemistry between the core cast.
The Buddy Holly Story is a well done biographical drama given life by an Oscar-worthy performance from none other than Gary Busey (yeah, there was a time when he wasn’t completely nuts). The direction and pacing was also fine-tuned making for a nice drama.
Motel Hell is another quirky release in the Scream Factory line and it has its moments headlined by a good performance from Farmer Vincent himself, Rory Calhoun.
I actually found Scooby-Doo: Franken Creepy to be one of the better entries of the recent DTV movies. The animation is more or less the same but the humor is great, include some fun in-jokes and a strangely stylistic direction style seemingly inspired by Edgar Wright’s The World’s End (and a couple others that I can’t remember).
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Man Hunt is a very well made thriller, with some of that 1940s war propaganda, with some solid performances by Walter Pidgeon, Joan Bennett and George Sanders, a great score from Alfred Newman and impressive cinematography.
Phantom of the Paradise is a well made and quirky adaptation of the classic opera. The performances, both sung and acting, were good headlined by William Finley and Jessica Harper
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Batman: Assault on Arkham isn’t a bad entry into the DC Universe Animated line but the title is misleading with the title character has been relegated to supporting role status as the bulk of the story is centered on the members of the Suicide Squad as well as some on The Joker, though that’s hardly a bad thing.
Follow That Dream is considered one of Elvis’ finest performances and he indeed is charismatic as ever and the lovely Anne Helm works well with him providing a nice spark. Yeah, the story itself feels out-of-date but still fun to watch.
The Secret of Santa Vittoria is a well made film with gripping drama, with a bit of comedy, which excels thanks to the performances from the venerable Anthony Quinn and Anna Magnani.
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The Amazing Spider-Man 2 was a disappointment for me mainly because I think the first movie set the right tone but the sequel instead squandered many opportunities particularly in the villain department who had little development to go along with a thin plot that for the most consisted of hating Spider-Man more than anything.
Hercules was never one of my favorite Disney animated movies of the 1990s, falling far short of the likes of Beauty and the Beast and The Little Mermaid (and even in some aspects, Tarzan), but it’s still a decent enough film that the whole family can enjoy with some fine music sequences.