I was pleasantly surprised with Lights Out, guess James Wan even as a producer as the Midas touch. Now, it’s not exactly an innovation in the horror genre or anything but serves as a perfectly effective but enjoyable experience with some well done performances.
X-Men: Apocalypse was a pretty big disappointment for me following Days of Future Past and while some of the technical parts were well done, the rest had a very stale vibe with similar story elements rehashed from the first X-Men movie way back in 2000.
The Sea of Trees is a movie more about regret than loss or grief and while the screenplay could’ve used some work, the film itself is worthwhile if only to watch an excellent performance from Matthew McConaughey and to some extent, Naomi Watts even if her character is clichéd.
The Exorcist III isn’t a great movie and can’t touch the original, yet it’s a big step up from the awful sequel and the performance from Brad Dourif and to some extent George C. Scott, is well worth the price of admission along with some genuinely creepy/scary scenes.
Nighthawks has elements that is quintessential for the time and features a Stallone performance that I doubt anyone would remember while Rutger Hauer basically stole the show in spite of Stallone cutting down that role and beefing his up during the edit process.
Alice Through the Looking Glass is a messy movie that, as the box office showed, never should’ve been made. The actors seemed uninterested and probably were in it to make a few (million) bucks, Depp especially, but beyond that, it’s such a thin story.
Skiptrace is the latest direct-to-video turkey that I’ve had the “pleasure” to watch just this year and it’s a sad seeing Jackie Chan in the DTV realm but it’s not hard to see why this one fell flat.
Angels & Demons is technically better than The Da Vinci Code in many regards especially in terms of pacing and a tighter story and while Tom Hanks delivers in his performance and Ewan McGregor and Stellan Skarsgard make for fine supporting roles.
The Da Vinci Code has more or less remained the same in my eyes since seeing it in theaters a decade ago. The acting more or less steals the show over a bit of a convoluted story, yet the mystery and adventure aspect makes the nearly two-and-a-half hour running time bearable.
The Legend of Tarzan is hardly horrible and yet it’s also nothing special in spite of some nice work by the visual effects crew and some ernest performances by Skarsgard and, to a lesser extents Robbie and Jackson while Waltz proves once again as a serviceable villain.
Despite an interesting story, The Infiltrator is only propelled thanks to its charismatic cast, especially Bryan Cranston who once again turns in a great performance, it’s just a shame the script wasn’t equally great.
The Great Gatsby has a lot going for it: a charismatic lead actor, a solid supporting cast, some good adaptation work by screenwriters Luhrmann and Craig Pearce, lavish award-worthy set and costume designs and wonderful cinematography, but otherwise it’s empty on any emotional level.
From just the tagline of “Saving the world takes a little Hart and a big Johnson”, Central Intelligence could’ve been a fun, if not throwaway, comedy but with very few laughs despite the ernest attempts by Kevin Hart and Dwayne Johnson, the film just did not work.
Midnight in the Garden of Good & Evil is a nice inclusion in Warner’s Archive Collection and while I didn’t particularly think very much of the movie, there’s at least some good elements headlined by another masterful performance from Kevin Spacey and even John Cusack contributes well.
It’s not hard to see why Jupiter Ascending was delayed 9 months (and I don’t buy the official reasons) as it was one cluster-f of a film and the problem is, it wasn’t even an entertaining cluster-f (unlike Batman & Robin). The acting is pretty wooden though these actors aren’t given much to work with.