The Final Word on Physical Media
Agent Cody Banks is hardly a good movie and probably on par with a Disney Original Movie, yet there’s some minor entertainment value and I at least did manage to chuckle a few times (more than I did with Zoolander 2) though the target audience is geared more toward the 12-16 range.
Zoolander No. 2 might’ve had good intentions behind the camera for Ben Stiller and its cast, but the jokes rarely landed leaving us with the stupidity of the original without any of comedy. I can’t say I had a displeasured experience while watching, merely indifference and counting down the time until it would finally end.
The Finest Hours is not a great movie but perfectly adequate that tells a compelling story that is utterly amazing. The performances by Chris Pine and Casey Affleck aren’t anything awe-inspiring yet decent enough to carry their respective roles and storylines. While it could’ve been better, this is a movie at least worth a rental.
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The Zero Boys might have somewhat of a cult following but for me, it’s not very enjoyable even in the old so bad it’s good kind of way. The acting isn’t good and the horror elements never quite clicked either. I suppose it works as a time capsule from the 1980s as everyone tried to put their spin on the slasher genre but this one failed.
Cao Ballou is a well done and one hell of an entertaining, and oft funny, Western comedy. The movie excels with the performances by its two leads — Jane Fonda and Lee Marvin — and some catchy tunes to go along with a well written story and characters.
Hired to Kill is dumb, poorly written and terribly acted action film from the tail-end of the 1980s but even though it doesn’t measure up to the guilty pleasures like Cobra, Commando or Raw Deal, it still has some appeal thanks in part to a semi-hamfest performance from Oliver Reed.
Pride and Prejudice and Zombies is not a great movie, even by zombie standards, but the comedic moments work and the cast is nicely put together highlighted by Lily James and Sam Riley in the lead roles, though Lena Headey and Charles Dance aren’t used as effectively.
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Eureka is a bit of a forgotten film from the 1980s, one that is doubtful to be mentioned amongst Gene Hackman’s greats with an uneven story that goes from an adventurous first half, the best part, to a Citizen Kane-like story for the second and a third act playing out like a bad episode of “Law & Order”.
How to Be Single is just the latest ensemble rom-com that doesn’t quite work with an unfocused story and message, however the cast turns in the best performances as possible given the material, though it belongs among the ranks of Valentine’s Day and New Year’s Eve if not a slight step above them.
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While 20 years later Independence Day doesn’t quite hold up, the entertainment and cheese factor at least still is there and makes for an enjoyable disaster flick, not to mention President Whitmore’s call to action speech still gives me goose bumps to this day.
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I Could Go On Singing features a strong performance from Judy Garland in her final film but beyond that, this character drama, with catchy music, is well done directed by Ronald Neame.
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Deadpool takes a conventional plot and turns it into one of the more unconventional superhero, yet anti-superhero, movies to come out, going so far to make fun of the genre. That said, the villain is bland and forgettable and my second viewing wasn’t as good as the first, though at the end of the day, it’s still a vastly entertaining film.
“Psycho-Pass 2” builds on the success of its first season with another compelling storyline and characters you actually can care about. On the technical side, the animation is still beautiful and the voice acting, both Japanese and English, is superb.
Garden of Evil may not be a well remember Western from 1950s but it’s still a entertaining film featuring strong yet charming performances from Gary Cooper and Susan Hayward. The Blu-ray released by Twilight Time offers good video and audio transfers and in a nice surprise, some respectable features.
One thing you can’t deny, the Italians know how to make some of the more unusual films and the ‘70s they were at their peak. Apassionata isn’t just soft-core porn-like film but instead a study of the domestic, suburban family and the deep, messed up drama that occurs within.