Dead & Buried is a fun little horror-mystery with a plot that would’ve fit in with an episode of Tales from the Crypt. The gore effects from Stan Winston were well done for its time and Jack Albertson was the standout amongst the cast.
Say what you will about Eli Roth as a filmmaker, this History of Horror limited series was a lot of fun with a wide variety of participants with directors, actors and members of academia in a wide range of discussions of horror.
Although I’m sure The Mangler has its fanbase that has grown over the years, this horror-comedy didn’t do much for me, mainly with some over-the-top acting on the parts of Robert Englund and Ted Levine, even in a movie where a machine comes to life and chases people down…
Urban Legend is one of many slasher movies to come out of the late 1990s/early 2000s thanks to the massive success of Scream. I never was a big fan of the movie mainly because I never found it all that scary.
The Midnight Man is just another in a long line of indie horror with a half-baked story, cardboard cutout characters and average performances even by the more experienced actors like Robert Englund and Lin Shaye. Skip this turkey.
Behind the Mask: The Rise of Leslie Vernon was a surprisingly fun take on the slasher horror genre that at times was actually quite clever, only a shame it hasn’t caught on enough to warrant a sequel.
Never Too Young to Die has received a cult following over the past 30 years with my first understanding only a year or two back when it was featured on Red Letter Media’s “Best of the Worst” series. Seeing it in its entirety for myself, it certainly has earned the bad its good moniker.
Although 3 out of the 4 movies in these are, well, utter crap, this Wishmaster Collection is a well done addition to the Vestron Collector’s Series and includes some excellent new bonus material for the first film
The Funhouse Massacre isn’t a half bad indie horror flick with some impressive make-up effects and even the performances aren’t terrible, though Robert Englund’s role is very much a cameo appearing in the film for maybe 10 minutes.
this horror-oriented version of The Phantom of the Opera isn’t great but there are some things to admire: Robert Englund does well enough as the title character and Jill Schoelen is absolutely stunning as the female lead. The Blu-ray, though, is a bit limited. There is a good commentary track and a well made retro documentary with new interviews while the audio/video are at best serviceable.
Never Sleep Again: The Elm Street Legacy is one of the best documentaries made on a single franchise cutting through the typical back-slapping you tend to get with interviews and instead there was honesty about the flaws the movies had, difficulties filming and how the franchise ultimately built New Line Cinema.