I Spit on Your Grave 2 is, to say the least, a disturbing movie and like most sequels, the writers and director attempts to amp up the anguish to the next level which it mostly does.
I Spit on Your Grave 2 is, to say the least, a disturbing movie and like most sequels, the writers and director attempts to amp up the anguish to the next level which it mostly does.
The Frozen Ground excels in many areas from a welcomed subtle performance by Nicolas Cage, a mature turn for Vanessa Hudgens and John Cusack playing the thankless role as the creepy and thoroughly disturbing serial killer. However, for all the good acting by the main cast and beautiful, Oscar-worthy, cinematography, it never quite reaches its potential.
World War Z isn’t a bad movie, far from it, as it efficiently entertains from beginning to end though Brad Pitt more or less sleepwalks through his role. However, this film is the epitome of wasted opportunities as this could have been one of the best in the genre to come out but instead it’s just a safe movie.
Halloween is still one of the best horror movies with genuine scares and the introduction to one of the best villains in movie history. While the movie might be great, Anchor Bay continues to milk the franchise releasing multiple editions with some nice new features but failing to port over anything from the others.
“Arrow”: The Complete First Season is off to a good start and I can’t wait to see what the second season brings between the drama and new characters to help expand the universe even further.
this Friday the 13th: The Complete Collection box set is not terribly bad in spite of the lack of any new material, it pretty much matches the DVD set released by Paramount a few years back, and unrated cuts of Jason Lives.
“The Vampire Diaries”: The Complete Fourth Season is, for a lack of a better term, a compelling soap opera guised as a vampire fantasy-drama. The core cast share great chemistry and this year fans of “Delena” (Damon & Elena) will rejoice. All in all, season four moves at a brisk pace even when the plots, and subplots, get kind of convoluted.
The Great Gatsby has a lot going for it: a charismatic lead actor, a solid supporting cast, some good adaptation work by screenwriters Luhrmann and Craig Pearce, lavish award-worthy set and costume designs and wonderful cinematography, but otherwise it’s empty on any emotional level mainly because Luhrmann smashes over the head what the movie’s message is rather than let it unfold in a more natural way.