Tad: The Lost Explorer is a harmless animated adventure the entire family can enjoy and the animation itself is fairly impressive especially for a studio outside of the big three or four (i.e. Disney, Fox, DreamWorks).
Movieman's Guide to the Movies
The Final Word on Physical Media
this Friday the 13th: The Complete Collection box set is not terribly bad in spite of the lack of any new material, it pretty much matches the DVD set released by Paramount a few years back, and unrated cuts of Jason Lives.
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“The Vampire Diaries”: The Complete Fourth Season is, for a lack of a better term, a compelling soap opera guised as a vampire fantasy-drama. The core cast share great chemistry and this year fans of “Delena” (Damon & Elena) will rejoice. All in all, season four moves at a brisk pace even when the plots, and subplots, get kind of convoluted.
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“NCIS: Los Angeles” is what I would call diversionary programming. It’s not terribly creative, outside of an episode or two, but the cast holds it together with wonderful chemistry.
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“The League” Season 4 DVD is an OK release and with only 13 episodes is relatively cheap, though I’d recommend the Blu-ray (which we were not supplied, unfortunately). The features aren’t anything amazing, though I guess if you’re a fan of the show, the extended episodes might be an interesting bonus.
Star Trek Into Darkness is a fun summer blockbuster featuring a great cast, decent story (even with some of the lazier plot points) and amazing visual effects. It’s a good addition to the Star Trek franchise and hopefully leads to a third film.
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The Stranger Within is not the worst movie I’ve seen this year, but it’s still really bland. The story is all over the place and the acting isn’t anything special, though special credit to Estella Warren for being able to keep a straight face. This is something I’d expect to air on the Lifetime Channel but that might be an insult to Lifetime as some of their movies are at least acceptable entertainment; this one is merely forgettable.
The Great Gatsby has a lot going for it: a charismatic lead actor, a solid supporting cast, some good adaptation work by screenwriters Luhrmann and Craig Pearce, lavish award-worthy set and costume designs and wonderful cinematography, but otherwise it’s empty on any emotional level mainly because Luhrmann smashes over the head what the movie’s message is rather than let it unfold in a more natural way.
“Person of Interest”: The Complete Second Season continues its upward trajectory from its inaugural season. The storylines are richer and more connected; the new supporting characters are great additions with two getting recurring main roles next year.
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