Dreamgirls is a nice enough release and all as I did enjoy the film, albeit I’ll stick with the theatrical version from now on, it’s just a shame the studio didn’t port over all the features from the previous releases making this incomplete.
As I’ve said many times, I don’t care for found footage movies but The Poughkeepsie Tapes, while hardly great, has some genuinely creepy and disturbing scenes… in between some laughable ones.
Open Water 3: Cage Dive is pretty awful not for being poorly shot but just downright of a bore of a film with characters who are hard to care for with a half-baked script.
Although I didn’t really care for the format of this season on American Horror Story, or the style of the final few episodes, there is some tense atmosphere and the performances at least weren’t bad, with Sarah Paulson being the highlight.
Arrow: The Complete Fifth Season was at least a passable year for a show I never really cared for but the writing still isn’t great and the performances were, at best, so-so. One big drawback is that the other two episodes in the 3-part “Invasion” crossover were not included in this set, lame.
The Flash: The Complete Third Season is another solid year and still one of the better shows within the DC TV brand, though that’s not exactly a high bar, but I’ve generally enjoyed them all except for maybe Arrow.
Admittedly neither All the Sins of Sodom nor Vibrations were my particular cup of tea but the visuals in both films are striking including the opening shot in Sins (as shown on the front cover). This is the second edition in the “Joseph W. Sarno Retrospective Series” and seems like a fine release.
Children of the Corn is by no means a good movie or anything, but the cheesiness – or should I say corny (?) – does make it entertaining even if there isn’t anything particularly scary.
The Law and Jake Wade is a very well made western-crime-thriller with strong performances from its leads, Robert Taylor and Richard Widmark, as directed by veteran John Sturges (Gunfight at the O.K. Corral).
47 Meters isn’t that good of a movie but there were a few tense moments so even with a thin plot and mostly one-dimensional characters, this might be worth a rental especially considering its short running time.
Shameless is the kind of show I can kind lose interest but find my way back every so often, mainly because William H. Macy is so damn good as the reckless loveable loser and the supporting cast all do quite well in their respective roles.
Flatliners is a fun 1990 film that might not be some sort of classic but the entertainment value is there.
Without the weird-ass ending, Armed Response would’ve just been another non-descript, run-of-the-mill direct-to-video action-thriller, one that will only catch your seeing Wesley Snipes on the cover. As it is, this isn’t a good movie from the acting to the screenplay and should be avoided.
My Blue Heaven isn’t, in my mind, some comedy classic or anything but still a safe, inoffensive and enjoyable enough thanks in large part to Steve Martin’s larger-than-life performance and on-screen charms.
Unlike the recently released Transformers: The Last Knight, which was a dull movie in itself, Pirates of the Caribbean: Dead Men Tell No Tales was at least passably boring and was mercifully only two hours long. But like Transformers, this franchise just needs to come to a close as neither is very creative or, worse yet, entertaining.