Madame Web might have an interesting story somewhere but is another Sony/Marvel that fails just about at every level from the acting, writing and direction, it doesn’t even have that trainwreck aspect going for it either.
Madame Web might have an interesting story somewhere but is another Sony/Marvel that fails just about at every level from the acting, writing and direction, it doesn’t even have that trainwreck aspect going for it either.
Nerve, while hardly perfect, is one of the better surprise flicks of the year as it’s just a simple but fun suspense-thriller featuring two fine performances from Emma Roberts and Dave Franco and a nice moral at the core of what is really a convoluted story, yet I was entertained from beginning to end.
We’re the Millers as a concept isn’t very good and could’ve easily been destined for direct-to-video hell but thanks to a director who seems to know how to direct comedy and a cast who share some great chemistry with one another, Millers is a film that won’t go down as one of the greats but is a more than serviceable comedy with some fun moments.
Celeste and Jesse Forever does have some things going for it like the chemistry between Rashida Jones and Andy Samberg but how the main character, Celeste, was written (partially by Jones herself) made her come across as awfully self-centered and the key scene where she seeks redemption doesn’t help matters as it takes place at her best friend’s wedding.
Scream 4 might’ve come a few years too late after the last installment, but I for one enjoyed it as Wes Craven and company were able to update the franchise for the 21st century. The original cast slips into their roles nicely while the new generation offer up a certain and needed freshness, though writer Williamson didn’t succumb to the horror sequel clichés (though there a few).