Black Mama White Mama is a classic 1970s blaxploitation starring Pam Grier and while this isn’t her best role of the era, it’s still a solid entry. It’s a fun little movie that’s ever the more enjoyable for just how it looks and feels like the ‘70s.
Countdown is your typical WWE production with shoddy acting, bad writing and pedestrian direction though on the plus side, at least Ziggler possesses some charisma which was often lacking in these other films. Still, as poorly made as the film was, it’s at least watchable and there’s at least one well done scene, so… there is that.
“Eden of the East”, and its two feature films, is an incredibly fun and often inventive anime series with well written characters. At only 11 episodes, and about 3 hours for the movies, it’s not a big time investment and is worth watching with an engrossing storyline.
Death Becomes Her definitely has its moments and even though it was made in 1992 well before the visual effects technology had taken off to what it is today, but it features some respectable effects, particularly with the hole in Hawn’s stomach. Outside of that, the jokes don’t entirely work but at the very least the core cast work well against one another, Streep especially.
Cutter’s Way is, I’d say, on the underappreciated side of things. Not only is the story compelling but the performances by Jeff Bridges and John Heard are exceptional to go along with Lisa Echhorn. The Blu-ray released through Twilight Time has a decent video transfer, good audio but does fall short in the features department.
Ride Along 2 is no better or worse than the original. You’ve pretty much got the same type of jokes and the performances from its core cast isn’t anything special, though presumably they at least had a good time while filming. The action is rather ho-hum and although I don’t mind Kevin Hart, even he seemed to be going through the motions.
Julia (1977) is a well made period drama featuring strong performances by Jane Fonda and Vanessa Redgrave, along with Jason Robards well. This “Limited Edition” Blu-ray released by Twilight Time isn’t exceptional yet the video and audio transfers are both well done and the new commentary with Fonda is interesting.
Concussion is, technically speaking, a well made film and features a good performance from Will Smith, but in spite of what works, at its core the movie is missing a soul. In the hands of a more skilled filmmaker it could’ve been emotionally charged and instead it’s rather forgettable.
Suspicion isn’t one of Hitchcock’s better known movies, coming before the likes of Strangers on a Train, Rear Window and Psycho, but it’s a well made, if not uneven, little thriller featuring solid performances from Cary Grant, Joan Fontaine and Cedric Hardwicke.
Date A Live II is probably a middle-of-the-road anime but it does at least feature a nice voice cast (both Japanese and English) and some lovely looking animation, however, it is on the forgettable side and pales compared to the strong anime series.
Uptown Girls is a breezy but nice little comedy featuring pleasant performances by Brittany Murphy and Dakota Fanning to go along with an interesting enough plot. The Blu-ray released through Olive Films has some actual features to go along with the so-so video and audio transfers.
“Tokyo ESP” isn’t the most innovative anime or anything and borrows more than a few ideas from the likes of “X-Men” but it’s still an incredibly fun and entertaining one-off series with some great voice work on both the Japanese and English sides while the animation, albeit basic, is still fairly nice to look at.
Lilies of the Field is a feel-good and very well made drama about the human spirit and features such a fantastic performance from the revered Sidney Poitier who was just at the beginning of his incredible career, or at least prior to iconic roles in To Sir, With Love and Guess Who’s Coming to Dinner.
Hardly perfect and having a few of the problems I had with something like Maken-Ki, I found “CS: CubexCursedxCurious” is a fun and charming little anime series that I found entertaining in spite of moving a bit too fast in its storytelling and unfortunately fits in all the plots and characters into one season.
It’s really a shame that, as with Dying of the Light, it’s unlikely we’ll ever see what director Gee Malik Linton’s original movie was like although I have read some have seen his cut. Instead, we get a hodge-podge mess of a film slapped together by the studio and the result was an utter mess of a film.