Grudge Match is an affable sports comedy which only works due to the charisma and on-screen status of Robert De Niro and Sylvester Stallone alongside a nice collection of supporting players including Kevin Hart, Alan Arkin and Kim Basinger, who all contribute so much from a lackluster screenplay.
Wild at Heart is a, well, wild ride featuring bucko performances by Nicolas Cage and Willem Dafoe while it’s fun seeing Laura Dern in a different role.
Young at Heart is a great romance/music/drama but it features good performances from its three leads, Doris Day, Frank Sinatra and Gig Young but otherwise it’s just a nice little movie that, no doubt I will forget in a day’s time.
American Hustle might be a tad overrated and certainly director David O. Russell took influence from Martin Scorsese and maybe a bit of Oliver Stone in terms of tone and style, but the movie’s success lies squarely on an all-star cast who mostly give great performances headlined by Christian Bale and Amy Adams.
No Holds Barred is silly and yet a lot fun with the overacting from Hulk Hogan and Tommy “Tiny” Lister and Kurt Fuller milks his villainous scenes whenever possible reminding you why the 1980s was such a glorious time for overkill in the acting department.
I understand Nurse 3-D is B-movie schlock and all but there are too many flaws to ignore, most of all a lead actress who is utterly terrible with flat line deliveries hard to disregard even with a script containing some truly corny dialogue. On the plus side, Katrina Bowden is wonderful and even though I didn’t care for the movie, it’s hardly the worst I’ve come across and the 80-minute running time goes by like a breeze.
In Fear had a decent concept but with one character who not only makes illogical decisions but is downright unlikeable and a “twist” that is revealed halfway through, the movie flounders until the very end and a message that feels tact on though I understand what the writer/director was after.
The Pirate Fairy actually isn’t a bad little film that, albeit geared more toward the younger age group, has some good animation and voice work plus the story is well written. While I might not revisit it anytime soon, it’s still a slight recommendation for families.
I cannot describe how much I didn’t like Walking with Dinosaurs from the voice over work to the humor which doesn’t work at all. Also, although the landscape is stunning, the CGI elements aren’t overly impressive but can easily be overlooked.
Best Night Ever is exhibit #152 why Jason Friedberg and Aaron Seltzer should not get anywhere near a camera. Although it is technically a step up from their previous attempts at “humor”, this is still a dry piece that hampered even further with the overused and I pray to god is on its way out, found footage style of “filmmaking”.