The Transformers franchise is hardly great with maybe only the first two being passably entertaining, the rest just action-porn with non-sensical plot and CGI vs. CGI fights that were more tiresome rather than exciting.
The Transformers franchise is hardly great with maybe only the first two being passably entertaining, the rest just action-porn with non-sensical plot and CGI vs. CGI fights that were more tiresome rather than exciting.
The Superman: 5-Film Collection has four movies making their debuts on 4K, though really only two of them are worth a damn. I suppose if you’re a Superman fan, maybe it’s worth it, but probably only when it’s on sale.
The less said about Superman IV: The Quest for Peace, the better. It was a misfire from the go and even the charms of Christopher Reeve could make this watchable.
Superman III was pretty much the beginning of the end of the Superman franchise. It’s not terrible but not very good either, moving to full-on goofy humor (versus a more wholesome variety of the first film), and an awful villain.
Superman II: The Richard Donner Cut does a valiant job giving viewers Donner’s original concept for the sequel and utilizing not only some new visual effects but some rehearsal footage to give as complete of a vision as possible.
Superman II is hardly perfect and with Richard Lester replacing Richard Donner probably made for a whiplash of a movie in terms of tone, but this still managed to be an entertaining sequel though the goof levels were taken up a notch.
Heat is a movie that’s passably entertaining if only for Burt Reynolds’s charisma but otherwise the plot plods along and like the 2015 re-adaptation Wild Card, it’s nothing special and an altogether forgettable crime-thriller.
Backtrack had an interesting enough premise, a hitman falling for his target, but the execution was less than effective, though Dennis Hopper’s performance was something to behold.
Flashdance is at times cheesy — as many of these 1980s dramas tended to be — but it’s entertaining, features a great soundtrack and incredible performance from a phenomenal performance from Jennifer Beals.
The Texas Chain Saw Massacre gets yet another release and while this is a case of squeezing as much money out of the strong fan base as possible, this movie has never looked or sounded better.
Dazed and Confused doesn’t quite live up to what I’ve heard about the film and yet there is a cool factor and a certain sense of nostalgia that makes this liberally boundless story so damn enjoyable through and through.
Death Wish is quintessential 1970s crime and grit and with the performance of Charles Bronson makes it a classic in its own right. It’s a fairly thought-provoking flick as well about vigilante justice and its effect on society.
Prey for the Devil is just another run-of-the-mill possession-horror-thriller offering nothing much new to the genre outside of the idea of the Catholic Church’s exorcism school which doesn’t get fully utilized here.
The Italian Job may have an iconic chase sequence and a strong performance by the wonderful Michael Caine, but having now seen this twice, I didn’t think it was anything especially entertaining yet still watchable.
Black Adam is the latest installment within the DCEU and while I was at least moderately entertained, the story felt disjointed but it’s worse offense is the introduction several new characters, most notably the Justice Society.