Drive Hard had a nice concept, and a good cast with Jane and Cusack to boot, but the execution was lousty despite some decent dialogue, however the car scenes were poorly done making for missed opportunities.
The Doctor and the Devils might not be a well known horror-thriller but it’s a well made one headed by fine performances by Timothy Dalton and Jonathan Pryce with a good and darkly fun story.
Good People tells the same story that has been done countless times before but does excel, albeit on a limited-basis, to a fine cast including James Franco, Kate Hudson and Tom Wilkinson, all three of whom do a good job while relative newcomer Omar Sy, to the U.S. anyway, is wasted with a cardboard cutout bad guy character laughably nicknamed Genghis Khan.
I acknowledge that Hercules is not a great movie but as summer blockbuster entertainment, it’s more than functional especially thanks to an ensemble cast led by Dwayne Johnson and some (purposefully) humorous moments that I enjoyed myself.
I acknowledge that Hercules is not a great movie but as summer blockbuster entertainment, it’s more than functional especially thanks to an ensemble cast led by Dwayne Johnson and some (purposefully) humorous moments that I enjoyed myself.
Planes: Fire & Rescue is a perfectly safe animated movie that children under the age of 12 might enjoy but anyone older, especially adults, might find it to be on the dull side. Still, at least the animation is good and I did enjoy some of the voice acting, but it’s hardly enough to get over a subpar script/plot.
Monkey Shines is certainly one of the more interesting entries into George Romero’s illustrious career and although it wasn’t my cup of tea (I guess the monkey killer subgenre doesn’t quite do it for me), yet it does have its moments and Jason Beghe gives a good performance.
There’s really no reason for Step Up: All In to even exist mainly because everything outside of some of the dance chorography was poorly done, in particular a thin story. But, for fans of the series, they might get more out of this as it does bring together some favorites, except for Channing Tatum and Jenna Dewan whose presence I think would’ve been beneficial even as cameos.
Although Desolation of Smaug is an improvement over Unexpected Journey, I still wasn’t crazy about the installment with the action scenes, albeit well filmed, seemingly blurring from one to the next and you once more had references to LOTR, a series I have far more interest in re-watching and caring about than this one thus far.
Free Fall is the typical direct-to-video thriller with a plot stretched far too thin, filled with cliché after cliché and acting that’s at best average and is just an all around poorly made flick with little redeeming value.
Somewhere in there, The Scribbler is a good concept but poorly executed from both the direction and screenplay, though at the very least Katie Cassidy does well in the title role while the supporting cast, as impressive as they might be, were either miscast or, in the case of Gina Gershon, vastly underutilized.
Deliver Us from Evil is an effective film that keeps one on the edge until the end, even if the finale doesn’t give us anything new in the genre. The cast is well put together and the direction by Scott Derrickson is successful building on his respectable resume following The Exorcism of Emily Rose and Sinister.
“The Sopranos” is clearly one of the best television series ever created and throughout its 6 (and a half) seasons, it maintained quality through direction, writing and especially the acting both by not only James Gandolfini but Edie Falco as well. This “Complete Series” set is thankfully well put together as most of the features have been ported over.
The Prince is a generic action movie that seemed to be geared towards Jason Statham but instead got Jason Patric who at least did come off better bad ass than he did in Speed 2… Still, it’s passable entertainment even though you won’t remember a single thing about it the following day.
The Believers isn’t a bad supernatural thriller though it does kind of fall apart towards the third act to the point of near absurdity, but even so, might be worth a watch if only for some half-decent performances from Martin Sheen and Robert Loggia.