The Motel Life is a somber but well acted drama headlined by Emile Hirsch and Stephen Dorff who both work well together playing brothers. The writing is well done and it’s not your typical, run-of-the-mill film interjecting animation into the storytelling.
Alexander: The Ultimate Cut is supposed to be the final cut… the final FINAL cut, and even though I’m still not overly enamored with the film, I can appreciate the production and costume designs, some of the performances and the ambitiousness of the character and story.
Nobody is going to mistake Death Spa as the highest form even in the horror genre, but there’s something fun in the quirky low-budget fair between some respectable special effects and an ample amount of suspense amongst some of the cheesy story.
RoboCop actually isn’t that bad of a movie and taken on its own, it’s at least enjoyable enough. However, unlike its 1987 counterpart, it’s unlikely to be remembered years from now and like Total Recall (a movie I actually liked), will be a mere footnote alongside so many other remakes and reboots. This one has a few things going for it from an eclectic cast to wonderful production design and cinematography.
Non-Stop might not re-write the manual on the suspense/thriller and the script seems culled from the 1990s, but it’s an enjoyable flick and another winner with Liam Neeson in the lead who has proven to be more than a capable action hero.

Dan Curtis’ Dracula features an incredible performance by Jack Palance in the title role as well as Nigel Davenport playing Dr. Van Helsing, especially his final showdown against Dracula.
“Crocodile” Dundee I and II might not be the top-of-the-line in comedy, especially coming out of the 1980s, but I found both of them, even the weaker sequel, to be fun time wasters headlined by the charming antics of Paul Hogan and his on-screen chemistry with Linda Kozlowski.