Movieman's Guide to the Movies
The Final Word on Physical Media
Joseph & Mary isn’t a good movie, in fact it seems like a poorly acted stage play. Even the inclusion of Kevin Sorbo, who can be charming, doesn’t help. I suppose if one was religious they might get something out of it, and to be fair, it is a safe movie, but I have to think there’s better material out there…
Star Trek Into Darkness is a sometimes fun summer blockbuster featuring a great cast, decent story (even with some of the lazier plot points) and amazing visual effects. It’s a nice addition to the Star Trek franchise though my hopes any problems with the plot, or lack of originality, is corrected with the upcoming Star Trek Beyond.
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Star Trek (2009) is an incredibly fun and innovative way to reboot the long-running franchise. The story is interesting enough but what makes the movie excel is with the ensemble Abrams and company put together from Pine to Quinto to Urban, who often steals the show.
My Big Fat Greek Wedding 2 wasn’t a necessary sequel, at least 14 years after the original, but there were some amusing moments and although I never laughed out loud, I never found myself bored and I suspect fans, and those with large, tight-knit, families will appreciate it far more.
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Star Trek: The Next Generation”: The Complete Series would make the perfect set… for the few who don’t already own the individual releases. While it is nice to have the series in one box, I actually kind of prefer the season sets as they are easier to handle, but as it is, and if you can get it at a good price, it might be worth picking up.
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The Panic in Needle Park is a grim, sometimes hard to watch drama that gives insight into drug addiction and the power it holds. The film features one heck of a performance by Al Pacino marking his first leading role and Kitty Winn keeps up with Pacino is a number of scenes.
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Inserts is an oddball of a film with Richard Dreyfuss turning in a typical Dreyfuss type of performance from the 1970s. The character drama-centric story works well enough and the inclusion of Bob Hoskins as the main antagonist is always a plus.
Not sure how this version compares to the others, even the 1939 one which I saw several years ago, but Hammer Films’ 1959 The Hound of the Baskervilles is still an entertaining Sherlock Holmes mystery featuring a solid performance from Peter Cushing as the great detective.
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Romeo is Bleeding is certainly a unique movie though also kind of typical Gary Oldman from the 1990s turning in a bizarrely fascinating performance as does Lena Olin who manages to keep up with his insanity, and at times topping it. It’s not perfect but with Oldman and Olin, well worth checking out.
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10 Cloverfield Lane is a strong sci-fi thriller that, even though it’s been many years since I last saw it, equals the original and had the added bonus of not being in the found footage style and features better characters. I’m not sure how well this will hold up in the long run however but at the moment I found it to be thoroughly entertaining.
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Gridlocked is probably one of the more surprising movies based on expectations since my history with direct-to-video flicks hasn’t been the greatest. Sure, the acting isn’t anything special but Dominic Purcell and Stephen Lang serve well as the protagonist and antagonist respectively.
Rollercoaster is a well made and suspense-filled thriller with an impressive cast that includes George Segal, Timothy Bottoms (who effectively portrays a domestic terrorist) and Peter Fonda in a small role.
The Other Side of the Door is just the latest terrible horror film to hit the market. The scares are basically non-existent but worse yet, it’s such a dumb story in conjunctions with characters making ridiculous decisions culminating with an ending that made little sense.
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The Funhouse Massacre isn’t a half bad indie horror flick with some impressive make-up effects and even the performances aren’t terrible, though Robert Englund’s role is very much a cameo appearing in the film for maybe 10 minutes.
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Wim Wenders’ character-driven drama wants to be emotional and weighty but fails in both regards. While the performances from McAdams and Croze weren’t bad, Franco seemed to be miscast though he still does enough to make for an amiable character. The screenplay could’ve used an extra draft however all in all, I still found Every Thing Will Be Fine to be satisfyingly above average.
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