John Carpenter’s The Thing is certainly one of the best sci-fi horror/thrillers out there and just might rank behind Alien and Aliens, though I still prefer those two. Where this succeeds, much like those two, is the claustrophobic atmosphere with the added subtext of paranoia.
Raising Cain isn’t high up compared with some of the other films by Brian De Palma even with the over-the-top performance by John Lithgow. However, this is a nice “Collector’s Edition” release by Shout Factory offering solid video/audio transfers and a good selection of bonus features.
The Return of the Living Dead is an incredibly fun zombie flick. No, it doesn’t have the subtext of a George A. Romero film but it’s unique in its own right with some on-point humor that is consistent from beginning to end.
No Escape is an all around entertaining film perfect for a Saturday movie night. No, it doesn’t make you think or have any profound performances but the acting isn’t bad with Owen Wilson serving as a fine everyman type of character and Pierce Brosnan in his small part is a lot of fun. This is probably worthy of a rental.
The Funhouse Massacre isn’t a half bad indie horror flick with some impressive make-up effects and even the performances aren’t terrible, though Robert Englund’s role is very much a cameo appearing in the film for maybe 10 minutes.
Death Becomes Her definitely has its moments and even though it was made in 1992 well before the visual effects technology had taken off to what it is today, but it features some respectable effects, particularly with the hole in Hawn’s stomach. Outside of that, the jokes don’t entirely work but at the very least the core cast work well against one another, Streep especially.
John Carpenter’s Village of the Damned has its good moments, propelled by a solid ensemble cast from Christopher Reeve to Michael Pare, and a bit of the cheese factor that is kind of amusing. This Collector’s Edition release by Shout Factory offers well done video and audio transfers and a nice selection of bonus material to peruse.
Cherry Falls isn’t a very well made horror flick because for one, the killer isn’t nearly as mysterious as the filmmakers wanted it to be and it clearly took more than a few cues from Scream with a mixture of horror and comedy.
My bias for this movie aside, Disturbing Behavior is at least an entertaining little thriller with some fun moments that sets it apart from others of the like. The cast is a lot of fun especially for Nick Stahl and William Sadler in his brief role, not to mention seeing Katie Holmes playing against type.
This “Double Feature” release from Shout Factory is the definition of a mixed bag. While Millennium was pretty darn good with a compelling story and respectable acting, R.O.T.O.R. is the exact opposite in every regard and easily is one of the worst films I’ve seen in some time if not ever.
Hellions is easily one of the worst films I’ve come across in the past few years, and only a smidge above the truly hellish Muck. I’m sure the filmmakers had the best intentions in giving a Troll-like film but unlike that one, which was bad but fun, this one is just plain bad, in spite of a decent enough performance by lead actress Chloe Rose.
While it’s an interesting title and Virginia Madsen is one fine actress in more ways than one, the actual execution of this 1987 horror film doesn’t come close to living up to its title and instead is a frankly dull film and has nothing to do with zombies in the classic sense (flesh eating types).
The Car is a cheese-ball action/thriller with more laughable scenes than anything scary or even horrific. The acting is subpar however I can’t place much blame on James Brolin or Ronny Cox considering the material they’re given. Producers wanted this to be Jaws on land which in itself is a hilarious concept and boy did this deliver the goods with a supernatural twist at the end.
Women’s Prison Massacre, the latest to a variety of exploitation movies from the 1970s, and frankly these kind of films aren’t exactly my thing but with that said there is a certain entertainment value in just how bad it is topped with some over-the-top acting in conjunction with incredibly awful dubbing. This release from Shout via their Scream Factory line, is rather disappointing.
Blood & Lace is quintessential 1970s with a catalogue score, bad ADR work and so-so performances, though Gloria Grahame is meticulously menacing and Melody Patterson has some charisma in the lead role. The Blu-ray released by Shout Factory offers OK video and audio and while the features are limited, the commentary is well worth listening to.