V for Vendetta never struck me on an emotional level and it is a bit heavy handed though presumably the graphic novel was pretty close as well, but the performances from both Hugo Weaving and Natalie Portman are strong.
Annihilation is one of the better surprises of 2018 as going in my interest levels were mild at best after seeing the lackluster trailers. But afterwards, it is a movie that has been on my mind for all the good reasons and is a highlight performance from Natalie Portman.
I can’t stress at how much I loathed Song to Song. I’ve seen plenty of bad movies, but none of them have had me in so much pain to sit through since, well, Malick’s To the Wonder, with only a few very minor redeeming values with the performances by a talented cast.
Léon: The Professional is a masterpiece of work from Luc Besson and is easily my favorite and most emotion-filled film to date. The performances by Jean Reno (who deserved an Oscar nomination), Natalie Portman and Gary Oldman were all fantastic in their own distinctive ways.
Emotionally distant at times, Jackie is propelled mostly from the Natalie Portman’s performance and also features respectable production and costume designs as well as an intriguing enough character study.
Jane Got a Gun, when you push away all of the pre-production drama and switch-a-roos, isn’t a half bad western-adventure-drama that features two fine performances by Natalie Portman and Joel Edgerton backed up by at least a quasi-interesting story.
Léon: The Professional is a masterpiece of work from Luc Besson and is easily my favorite and most emotion-filled film to date. The performances by Jean Reno (who deserved an Oscar nomination), Natalie Portman and Gary Oldman were all fantastic in their own distinctive ways and it’s just an all around well made flick with good mixture of drama and suspense.
I was absolutely enthralled with 2006’s Paris, I Love You as it beautifully showcased the City of Love, Lights, Dreams, Art, et cetera while also giving us stories that made use of each precious minute allotted; and I had high hopes for the follow-up, New York, I Love You where we get to see the City That Never Sleeps. Unfortunately even though the directors try their best to showcase New York, the stories never quite hit the emotional levels (be it for comedy or drama) that I felt with Paris.