Crash isn’t a movie I found all that great though my interest was mainly for some of the controversy and honestly as strange as the “plot” and characters were, it’s not that out of bounds at least nowadays.
The Alienist: Angel of Darkness is second (and subsequently final) season of the TNT Original Television Series that ran for 8-episodes and stars Daniel Bruhl, Luke Evans and Dakota Fanning.
War of the Worlds certainly is not top shelf Steven Spielberg and generally I didn’t like it quite as much as I did 15 years ago, however I will say the visual effects mostly held up and I can’t say I was ever bored.
Once Upon a Time… in Hollywood may not be Tarantino’s strongest film though I did enjoy this experience more than The Hateful Eight thanks to his attention to detail for the era along with some fun performances by both DiCaprio and Pitt.
Please Stand By is a heart-warming and important movie that, from my reading anyway, realistically presents a person with autism rather realistically and respectfully, and Dakota Fanning’s performance was tremendous.
Push is a movie that was less disappointing, mainly because I had no expectations either way, and more in the line of wasted opportunities. In any case, I did enjoy certain parts of the film, just not enough as a full recommendation.
American Pastoral receives, let’s say, mediocre reviews but for my money, I found all of the performances genuine and the story rather compelling, if not outright depressing and sad; for his first outing as director, Ewan McGregor did a fine job.
Uptown Girls is a breezy but nice little comedy featuring pleasant performances by Brittany Murphy and Dakota Fanning to go along with an interesting enough plot. The Blu-ray released through Olive Films has some actual features to go along with the so-so video and audio transfers.
Night Moves is not a movie for everybody. It’s a slow-burn crime-drama with some fine performances, particularly by Jesse Eisenberg yet you also have to be patient for the plot to play out with the first 20-minutes or so is all set-ups with the final 80-minutes used for the aftermath of the characters’ actions.
The Motel Life is a somber but well acted drama headlined by Emile Hirsch and Stephen Dorff who both work well together playing brothers. The writing is well done and it’s not your typical, run-of-the-mill film interjecting animation into the storytelling.