4.3.2.1 isn’t a bad movie by any stretch. There are few interesting scenes but as a whole, there’s not nearly enough story that held my interest to go along with characters that are unlikeable.
Lockout isn’t a bad movie but it’s hardly a memorable one. It’s yet another sci-fi thriller which fades into the background with the other wannabes. The visual effects is pretty bad especially early-on and the characters are one-dimensional but at the same time, at only 90-minutes (sans credits), it’s at an OK time-waster, nothing more, however.
Lockout isn’t a bad movie but it’s hardly a memorable one. It’s yet another sci-fi thriller which fades into the background with the other wannabes. The visual effects is pretty bad especially early-on and the characters are one-dimensional but at the same time, at only 90-minutes (sans credits), it’s at an OK time-waster, nothing more, however.
Silent House is yet another film that spoiled its potential. Despite some suspense-filled scenes and an interesting idea of portraying it as one shot, the finale was just dumb and when looking back at the movie as a whole, it doesn’t make sense. Elizabeth Olsen for her part was good and the first 65-minutes or so were great, but the ending spoiled it all.
The Butterfly Effect 2 is a waste of celluloid and time. Although I might not have been the biggest fan of the previous entry, it at least had some interesting ideas behind it, not to mention a character I could actually somewhat care about. This one however has 1-dimensional characters and our main guy is a Grade A douche.
A Perfect Murder might not be the ‘perfect’ thriller but it is an effective one. Director Andrew Davis manages to keep the pacing going throughout the fairly lengthy running time despite a predictable storyline and characters.
One would think when you get Johnny Depp and Charlize Theron on the same screen and an intriguing storyline it would make for, at minimum, an entertaining science-fiction thriller. Instead, The Astronaut’s Wife is a complete mess with subpar performances, a story that doesn’t make a whole lot of sense and direction that is at best sloppy.
The Horse Whisperer is an all around beautiful movie. The story is both heartbreaking and ultimately uplifting, the cinematography is Oscar-worthy (unfortunately it was not nominated), the direction inspiring and the acting, especially from Redford and Thomas, amazing.