Crash isn’t a movie I found all that great though my interest was mainly for some of the controversy and honestly as strange as the “plot” and characters were, it’s not that out of bounds at least nowadays.
The Rental is a home invasion thriller starring Dan Stevens, Alison Brie, Sheila Vand and Jeremy Allen White and is the directorial debut for Dave Franco.
Cold Light of Day is a 1989 independent crime-drama and arrived on Blu-ray in October by Arrow Video and includes new interviews and featurettes alongside two commentary tracks.
The rating isn’t indicative of the movies but instead the discs are the same from previous releases and only DVD with films 2-4 did previously get Blu-rays. But on a budget, and if you don’t already own them, this is worth picking up.
The Curse of Frankenstein isn’t one of the great monster horror movies, even amongst the ones by Hammer Films, but I do appreciate taking a different turn of the classic story with Peter Cushing giving it his all to portraying a more unique version.
The Maya Deren Collection release from Kino Classics and Re:Voir has eight films from the prolific independent filmmaker and includes new 2K restorations alongside a good selection of bonus features.
The Lost Weekend is another very well made movie from Billy Wilder and features the Academy Award winning performance from star Ray Milland (and took home the Oscar for picture, director and writing).
Even with the uncomfortable relationship between an adult and teen (or even pre-teen), Diva is still a unique and entertaining oddball of a drama-thriller featuring some wonderful cinematography.
Blade is far from perfect and has moments that scream 1990s in its editing but I do like Snipes in the lead and the movie as a whole was somewhat entertaining, warts and all.
It’s easy to see why Mad Max has reached cult status, even with the low budget, director George Miller, along with star Mel Gibson’s on-screen charisma, is still very well regarded 40 years later.
Coming to America isn’t as much of a repeat viewing compared with Murphy’s others like Beverly Hills Cop or Trading Places, but it’s still a whole lot of fun.
Trading Places still holds up after all this time and following several viewings both on disc and on television over the years. It’s a bit on the nose at times and especially some clichés, yet the dynamic between Eddie Murphy and Dan Aykroyd was wonderful.