Make Your Move is like any other dance film that has come down the pike over the years down to the star-crossed lovers from opposite sides of whatever spectrum (in fact this one makes no bones there is a Romeo & Juliet element to the romance). That said, the music isn’t bad and the acting above average considering the material.
Born Yesterday is a wonderful drama-comedy with a great performance from Judy Holliday who was well deserving of her Oscar win.
Sabotage could’ve been better and Schwarzenegger, who wasn’t that bad, was kind of mis-cast with someone like a Russell Crowe probably being better suited for the role. However, the action scenes were well choreographed including the final chase sequence and despite having mostly despicable characters, I still managed to be slightly entertained and engaging, plot holes and all.
On the surface Transcendence had plenty going for it but thanks to an apparently butchered script and a novice director, it turned something that could’ve been memorable into a laborious and tepid bore of a film. The cast is mostly wasted from the Depp’s malaise and supporting characters who are one dimensional and unmemorable while a veteran like Morgan Freeman is wasted and had a character who could’ve been cut.
Stage Fright from first timer Jerome Sable is a valiant effort for sure with some decent kills, good acting especially from lead actress Allie MacDonald but its oddly paced and doesn’t quite hit the mark in the end, making for nothing more than a rental.
The Final Terror actually isn’t a terrible movie. It’s low budget and the acting isn’t always the best, though it is fun seeing Daryl Hannah and Joe Pantoliano before they were big, and some of the shots done by Andrew Davis (The Fugitive) were quite impressive.
Joy Ride 3: Road Kill shockingly (or not) is an all around bad movie and not in the fun kind of way either. The plot is more or less a rehash of the first film just with more characters who are almost all unlikeable, making it really hard to care for their well being, and Rusty Nail as a villain is just another mundane serial killer rather than a truly scary voice over the radio.
The Machine is actually a well made indie science-fiction flick with good performances, some respectable visual and make-up effects. I kind of hope the filmmakers behind the film could at least be a part of any “Ghost in the Shell” adaptation because they did a damn good job with the material here which is more or less around the same concept.