“Bitten”: The Complete First Season isn’t a horrible nor is it unwatchable, mainly because of star Laura Vandervoort, but I’ve seen this story countless times on better produced series like “Supernatural,” “The Vampire Diaries,” and “True Blood”… Well, two out of the three anyway.
Any Given Sunday is an engaging movie that many sports, especially NFL, will enjoy and not only holds up today, but kind of predicts a few trends that have permeated college and pro football.
Night Moves is not a movie for everybody. It’s a slow-burn crime-drama with some fine performances, particularly by Jesse Eisenberg yet you also have to be patient for the plot to play out with the first 20-minutes or so is all set-ups with the final 80-minutes used for the aftermath of the characters’ actions.
The Quiet Ones actually isn’t a completely awful film and I wouldn’t be hesitant to at least recommend a Red Box rental, but the problem is what started off with some truly dark and spooky atmosphere devolved into the supernatural crap seen numerous times before. That being said, Jared Harris at least isn’t bad and with a short running time, it’s not a chore to get through.
“Revolution”: The Second and Final Season had some potential especially between the production values and ensemble cast, but the storytelling was lacking in substance and style and it’s easy to see why this not only got cancelled but why its viewership dwindled to a pitiful 4 million viewers for the series finale.
Draft Day isn’t a great movie and probably ranks in the bottom half of sports films, but there’s some entertainment value and Kevin Costner helps to elevate the material far beyond what it deserves. The direction is at least interesting by Ivan Reitman and the supporting cast, albeit not well utilized, is respectable.
The Possession of Michael King is the latest in the “found footage” flicks that have permeated theaters and store shelves over the past decade or so and it’s frankly kind of dull and not at all scary.
Cabin Fever: Patient Zero could’ve just been condensed down to Patient Zero has it has no bearing on the first movie and is merely a generic, flesh-eating virus movie like any other. The acting is also a bit wonky with Sean Astin surprisingly giving the best performance and keeping this from being a complete waste of time.
Aftermath is a well crafted, and altogether simply made, apocalyptic thriller that serves more as a psychological character study more than anything else, and certainly more than the cause of the nuclear attacks. The characters themselves can be on the clichéd side but still interesting enough to want to get through until the end.
R.L. Stine’s Mostly Ghostly: Have You Seen My Ghoulfriend? is a sequel to a 2008 DTV flick that I honestly never heard of, let alone having seen. This is your typical young adult entertainment with slapstick comedy, low key humor, bad dialogue, so-so acting (the highlight is Bella Thorne) and a story maybe those used to shows on the Disney Channel will enjoy, for myself it was a chore to even get through.
Pumpkinhead might not be most well made horror movie coming out of the ‘80s but it has gathered somewhat of a cult following and there are some things to be admired from the late and great creature creator Stan Winston marking his directorial debut, one of only two feature films.
Kind of forgotten in the wake of James Cameron’s The Abyss, Leviathan is an OK if not uneven sci-fi adventure. The cast is good and some of the creature effects aren’t bad either, but at the same time it comes across as a rip-off of Alien sans suspense and compelling storytelling.
The Legend of Hell House is an effective British supernatural-horror-thriller with fine performances all around but with special notice on Roddy McDowell and Pamela Franklin.
Blended isn’t nearly as bad as some of Sandler’s other recent “works” (i.e. train wrecks) because unlike something like Grown Ups 2, I actually managed to laugh (even mildly) a couple of times and, well, it actually had some semblance of a plot even if it is convoluted. And although the material is substandard, the re-pairing of Sandler and Barrymore is a welcoming sight.
The Buddy Holly Story is a well done biographical drama given life by an Oscar-worthy performance from none other than Gary Busey (yeah, there was a time when he wasn’t completely nuts). The direction and pacing was also fine-tuned making for a nice drama.