The Circle had plenty of potential but it’s for naught with not-so-subtle lines of dialogue combined with an uneven/unfocused story, with unintentionally funny scenes, that never worked and probably would’ve been better served as dark satire.
Movieman's Guide to the Movies
The Final Word on Physical Media
The Warlock movies are silly and at least in the case of the first two, they embrace their silliness and although the sequel isn’t as good, there’s some entertainment value, but the first is easily the best while the third is, well, better than expected, not that that’s saying much.
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I’d say Ghost in the Shell was one of the bigger disappointments of 2017 but considering what I had been seeing before its release, including the director, expectations were vastly lowered and it was pretty much matched. No, it’s not horrible but in trying to satisfy fans and the general audience, the studio failed at both.
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The Stendhal Syndrome may not be perfect, but with Dario Argento’s amazing direction and unsettling atmosphere, in conjunction with hauntingly creepy performances by his daughter, Asia Argento, and Thomas Kretschmann, it does make for an effective horror-thriller, some aspects truly disturbing.
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Kong: Skull Island isn’t perfect but still fun and entertaining enough with director Vogt-Roberts intermixing monster movie with a Vietnam-era war picture and even the human characters weren’t bad, if not thinly written at times while Kong himself does show a bit of personality and his CGI was pretty good.
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Smurfs: The Lost Village isn’t a very good movie but being aimed at younger audiences, and I suppose Smurfs purists, it’s fine a time-waster and at least does have a nice message to it.
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Overall, not quite as bad as others have suggested, at least what I’ve read online, The Zookeeper’s Wife certainly had an interesting story behind it and despite that and a two-time Academy Award nominee in Jessica Chastain something just didn’t quite click.
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The Fate of the Furious is a perfectly fine entry into the now long-running franchise that doesn’t really show signs of slowing down. The action scenes are well done and although none of the acting, or dialogue for that matter, will impress, I still found myself relatively entertained.
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Don’t Knock Twice has elements of a solid supernatural horror but on the whole, the film goes down familiar territory and fails to stand out with the rest and will easily get lost in the crowd of the others. Still, this is worthy of a rental as those few scenes were genuinely creepy.
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