There’s no doubt filmmaker Nico Mastorakis marches to his own drum which is commendable, but Death Has Blue Eyes was some… thing. I’m not sure what I was watching, I wouldn’t suggest watching alone, this movie deserves to be viewed in a group setting.
Hercules and the Captive Women comes to Blu-ray for the first time through The Film Detective with a new film restoration and a fine selection of bonus features.
Rush Week is one of those quentisential movies that gets lost in the shuffle and frankly, while not bad and actually competently edited and directed, deserves to be amongst the forgotten horror-slashers.
The Day of the Beast is an oft warped horror/black comedy that, even with the dated effects, is still plenty of fun thanks to the performances and oddball storyline.
From time to time there are movies that I get to watch that I normally probably wouldn’t have heard of or passed by, and Irma Vep came as a pleasant surprise with a wholly engaging character-centric story.
Crash isn’t a movie I found all that great though my interest was mainly for some of the controversy and honestly as strange as the “plot” and characters were, it’s not that out of bounds at least nowadays.
The Bermuda Depths debuts on Blu-ray courtesy of the Warner Archive Collection receiving a new video restoration and stars Leigh McCloskey, Carl Weathers and Connie Sellecca.
Spaceballs is a classic comedy from Mel Brooks, one that I’ve seen a few times over the years and while it’s not a favorite of mine, still makes for and fun and enjoyable 96-minute watch.
The Ten Commandments from 1956, starring Charlton Heston, Yul Brenner and Anne Baxter, marks its 4K Ultra HD debut that includes the same bonus material from the 2020 digibook release.