Halloween Kills is an ill-conceived follow-up to 2018’s Halloween which itself was an ill-conceived sequel to the 1978 original. There’s not much here to admire outside a couple technical aspects, and it doesn’t give me much hope for Halloween Ends.
Halloween (2018) was on the disappointing side for me though I don’t consider myself a major fan of the franchise considering there’s really only two good ones, one I consider a guilty pleasure while the rest were either average or pure garbage. I would rank this sequel/reboot in the middle of the pack.
The Punisher is probably a mid-tier comic book movie and while it’s certainly not great, I did find it mostly entertaining mainly for Thomas Jane rather than the plot or thinly written villain.
Overlong and repetitious with its story, American Honey could’ve used a pass or two in the editing bay at which point it would’ve made for an interesting character, and country study, instead is more on the dull side by the two hour mark (if not sooner).
Romeo is Bleeding is certainly a unique movie though also kind of typical Gary Oldman from the 1990s turning in a bizarrely fascinating performance as does Lena Olin who manages to keep up with his insanity, and at times topping it. It’s not perfect but with Oldman and Olin, well worth checking out.
No Way Out was a pleasant surprise of a thriller featuring good suspense and a solid performance by Kevin Costner with honorable mention to Will Patton. To cap things off, the ending had a nice and unexpected twist.
“Falling Skies” was a bit of an uneven series but I can’t say over the course of its five seasons I can’t say any of them were particularly ‘bad’ and had many entertaining moments. The series was also efficient with its budget and featured some impressive effects, both visual and make-up, while the acting all around was quite good headed by Noah Wyle as well as Will Patton.
The November Man doesn’t really bring anything new to the genre and is more in line with the Bourne franchise with both grit and geopolitics centric to their respective stories. But what makes this stand out is finally seeing Pierce Brosnan returning to form and kicking ass instead of, you know, singing…
The Client is a fulfilling suspense-thriller propelled by three solid performances, adequate direction from Joel Schumacher (arguably his last ‘good’ movie) despite a predictable script.