Willard is a cult classic and finally gets a release on both DVD and Blu-ray so fans can finally revisit after many, many years.
Movieman's Guide to the Movies
The Final Word on Physical Media
I know Firestarter has somewhat of a following, I wasn’t as enthralled with this Stephen King adaptation although the performances by Drew Barrymore and George C. Scott were great.
Continue reading “Review: Firestarter – Collector’s Edition BD + Screen Caps”
The Devil’s Dolls is a standard but effective enough horror flick with some OK performances and nice atmosphere. It doesn’t break new ground in the genre, both in terms of story and direction, but fans of the genre might get something out of it.
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The Exorcist III isn’t a great movie and can’t touch the original, yet it’s a big step up from the awful sequel and the performance from Brad Dourif and to some extent George C. Scott, is well worth the price of admission along with some genuinely creepy/scary scenes.
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Psycho IV: The Beginning actually isn’t a half bad prequel/sequel and features fine performances from Anthony Perkins reprising his iconic role and Henry Thomas as his teenaged counterpart. For a TV movie, it’s well shot and the story is a nice culmination in the franchise following two sequels that were less than stellar.
Lady in White is a movie with a mish-mash of ideas from social commentary to supernatural thriller to crime mystery and in none of those respects entirely works. However, the performances are pretty good headlined by Lukas Haas and despite sluggish pacing, the film managed to keep me entertaining until the end.
Shout’s Collector’s Edition of Child’s Play might not be a homerun compared with their other CE’s, but it’s still a nice release with an improved video transfer, solid lossless audio and a nice selection of bonus features including a new commentary with Tom Holland and a couple nice featurettes.
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This “Collector’s Edition” of Carrie from Shout Factory is pretty darn good for a pretty darn good movie by suspense-maestro, Brian De Palma and features amazing performances by Sissy Spacek and Piper Laurie.
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Writer/director Mark Pavia makes a valiant attempt with Fender Bender to create a throwback to the slashers of yesteryear and while there are a few touches to admire (scenes that remind you of Halloween in particular), the rest of the writing and plot points were utterly laughable and not in a good way.