The Trust had a lot going for it if only the filmmakers could’ve kept the (dark) comedy aspect in the crime-caper going through the third act but we get an almost 180 flip and although it goes to the title, it doesn’t make much sense and not entirely earned. As such, this is at best a rental mainly for the first 2/3rds and some, well, interesting line-readings by Nicolas Cage.
Amos & Andrew is kind of a lost comedy from the 1990s (akin to Quick Change and Another Stakeout) and although it’s not hilarious, it is a lot of fun to watch two normally over-the-top actors playing against one another in Nicolas Cage and Samuel L. Jackson and add in Dabney Coleman and it’s rather entertaining.
It’s become common place for a few years to find Nicolas Cage on the front cover a direct-to-video movie and normally I can appreciate it for his insane performance but with Outcast he’s merely a supporting player with the charmless Hayden Christensen taking front stage. It’s not a well made movie but it’s also not terrible, just utterly forgettable and even boring.
Dying of the Light seems to be a cautionary tale as well as show the perhaps seedy side of Hollywood when a project gets taken away from the filmmaker. In fairness, and it is a distinct possibility, that there might be more to the story but the final cut we get here is a mess and worse, a boring and dull mess at that. Nicolas Cage actually wasn’t too bad and there are some interesting elements but I would’ve loved to have seen Shrader’s version.
Left Behind is a mess of a film with bad acting, terribly dialogue and an all-around poorly written screenplay. It’s also apparent why Nicolas Cage took on this role, which he mostly slept walked through, as he obviously needed to pay off the IRS, a mortgage and others odds and ends. I get what the filmmakers were going after but it comes off as amateurish and had more unintentional funny moments more than anything.
Wild at Heart is a, well, wild ride featuring bucko performances by Nicolas Cage and Willem Dafoe while it’s fun seeing Laura Dern in a different role.
City of Angels has some cheesy moments and Nic Cage early on doesn’t quite exude leading man who can act creepy yet still nab pretty (and smart) surgeon, but once you get beyond that, the story mostly works and somehow Cage and Ryan share good on-screen chemistry.
The Frozen Ground excels in many areas from a welcomed subtle performance by Nicolas Cage, a mature turn for Vanessa Hudgens and John Cusack playing the thankless role as the creepy and thoroughly disturbing serial killer. However, for all the good acting by the main cast and beautiful, Oscar-worthy, cinematography, it never quite reaches its potential.
Seeking Justice is a serviceable film that’s not going to challenge the brain, especially the plot, but because of a thankfully subdued Nicolas Cage and an impressive supporting cast, it’s at least worth checking out even if it’s only a rental. The Blu-ray isn’t anything to write home about either with a superficial featurette and a trailer. The audio and video transfers are fine if not unexceptional.
Call it strike two for Sony trying to launch a Ghost Rider franchise. The PG-13 might be constraining for the directors but even with an R-rating, I can’t see it being that much better. Nicolas Cage continues his downward slide with his Rock and Leaving Las Vegas days looking like a distant memory, albeit once in a while he can surprise. Even so, I can’t really muster the energy to hate Ghost Rider: Spirit of Vengeance. To me, indifference is worse than hating a movie