The Final Word on Physical Media
Nightmare Sisters is a fun, if not silly, supernatural horror film with some, let’s say, questionable acting and shoddy script work, yet it’s the epitome of the 1980s B-movie and for that, I have at least some minor respect for it.
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The Hunger Games: Mockingjay Part 2 is a letdown mostly because it shows why the final chapter didn’t need to be split into two with extraneous scenes that weren’t necessary in telling the story. On the plus side, the performances for the most part were strong especially from Jennifer Lawrence and the production design, as it was with Catching Fire and Mockingjay Part 1, was impressive.
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One of David Cronenberg’s earlier works, Rabid is a solid zombie-horror movie that certainly has its flaws but regardless was entertaining until the very end and the performance by Marilyn Chambers, an ex-porn star, actually wasn’t half bad for the material.
The Hunger Games: Mockingjay – Part 1 had a lot of potential especially comig after the well received, and all around well made, Catching Fire. What we got instead is what felt like the middle installment of a trilogy that had a thin story and characters who really didn’t develop that much.
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Overall, The Hunger Games: Catching Fire is heads and shoulders above the first movie which in itself was entertaining. This is a strong and tighter film in terms of story. The UHD release by Lionsgate is more or less the same as its predecessor: a nice 4K video transfer but not quite amazing or worthy of an upgrade.
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The Hunger Games is not a perfect beginning as a YA adaptation but it is certainly an entertaining flick and a star-making showcase for Jennifer Lawrence. This UHD/BD release from Lionsgate offers a nice video upgrade but not night and day while the features are all on the UHD disc.
The Jungle Book is a success in Disney’s obsession with adapting beloved animated movies into live action features and while the likes of Maleficent and to some extent Cinderella weren’t great, this one is entertaining for almost the entire family, though some scenes might be a tad too frightening for younger viewers.
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Finding Dory may not have the emotional resonance of its predecessor, yet it’s still a highlight entertaining entry in the Pixar line, even if it’s on the lower half of their films, which have generally been high quality work with one exception (Cars 2). The voice talents are all top notch and the animation is absolutely beautiful.
To Live and Die in L.A. is I think a bit of a forgotten crime-drama from the ‘80s and features a wide array of great performances headlined by William Petersen (though I felt he was better in Manhunter) and Willem Dafoe with some amazing cinematography and a vibrant color palette.
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Deathrow Gameshow is a silly (ok, really dumb) movie that doesn’t really work on much of any level, though I guess in some ways it’s a predictor of the state of reality television today. The acting isn’t any good and the writing isn’t much better either.
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Lucio Fulci’s supernatural thriller, Manhattan Baby (aka Eye of the Evil Dead) has some decently creepy scenes but little else that captured my attention from beginning to end, though any fans of his might get more out of it.
For any fan of The Marx Brothers, this Silver Screen Collection of 5 of their great films (or at least ones Universal holds the rights to) is wonderful with good video/audio transfers and a nice selection of bonus features highlighted by a feature-length documentary not to mention commentaries available on each film.
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Both Cape Fear and To Kill a Mockingbird are great dramas and each featuring great performances by Gregory Peck, obviously the latter being the best and nabbed him a Best Actor Academy Award.
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The Waxwork movies aren’t great, though the first one was very entertaining, and although the sequel wasn’t quite as good, they do make for a nice Saturday night double-header especially for fans of horror.
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Morris From America is an entertaining, often charming, coming-of-age romantic-drama-comedy featuring a fine performance from newcomer Markees Christmas as well as Craig Robinson showing his more dramatic side.
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