Madhouse maybe has a modest following, but being this my first viewing, I found it awfully tedious with little to no thrills not to mention no scares whatsoever, and add in some below average performances, even by 1980s slasher standards, it makes for just a bad movie.
While Vega$ wasn’t quality, or even consistent, entertainment, I did find this to be an enjoyable enough series that rode almost solely on Robert Urich’s charms, with honorable mentions toward Bart Braveman and Greg Morris, rather than the writing.
Becker was a show which is easily forgotten especially since it never reached the creative levels of Cheers or Frasier, but as it is, I found the series had some truly hilarious moments and a strong supporting cast.
Joan of Arcadia was a short-lived but well acted drama-fantasy highlighted by Amber Tamblyn in what could’ve been a star-making role, alongside Joe Mantegna and Mary Steenburgen. At times it might not have been greatly compelling but it there were entertaining episodes spanning the two seasons.
To say I was disappointed in this Beauty and the Beast live action adaptation would be an understatement. Although the technical aspects were impressive, the performances, particularly for Emma Watson and Dan Stevens, were underwhelming, and the new music was rather forgettable.
Altitude is the latest in a long line of bad direct-to-video releases, and the newest from Grindstone Entertainment. The plot, and effects for that matter, seemed to come straight from a SyFy original movie.
Often funny with plenty of gore for horror-hounds, Brain Damage is plenty of fun though I felt it got on the lengthy side in many instances — the sex scene in particular went on forever — yet the film was entertaining enough.
Max 2: White House Hero is a safe movie for families and in particular, kids probably 10 and under as the jokes and violence are Disney-esque. No, it’s not very good and if you’re an adult, this might be tough to sit through.
Kill ‘Em All could’ve been a fun little film but instead it has choppy editing, lousy writing and lazy performances (Autumn Reeser at least wasn’t bad) and a story that became overcomplicated, or came across as such, jumping back and forth in time.
Sky on Fire had potential but the execution I felt was on the sloppy side though Daniel Wu did well in a lead role and some of the action scenes were shot pretty well while the visual effects were mostly laughable.
The Man in the Moon is a well made coming-of-age story that’s probably most memorable for being Reese Witherspoon’s introduction but also features a nice supporting cast.
Outsiders: Season Two (which is the final season) is a solid adventure-drama that features some interesting storylines in conjunction with a fine cast led way by the vastly underrated David Morse.
Bitter Harvest tells an interesting, and topical, story about the Ukrainian country and its people battling against the Stalin-led Soviet Union. The performances are mostly well done headlined by Max Irons.
There’s probably a reason Protocol isn’t exactly a memorable entry in Goldie Hawn’s résumé from the 1980s as it’s not exactly laugh-out-loud funny but at least excels on her charms more so than the writing or plot.
Cops vs. Thugs is a well made, finely acted crime-drama (with some genuinely humorous moments), that anyone interested in foreign releases would enjoy.