Return to Nuke ‘Em High: Volume 1 is in all honesty not my cup of tea as I’m more of a fan of slasher (Friday the 13th) or serial killer (Halloween, Scream) horror so something like this wasn’t that entertaining to watch though others who are fans of Troma’s previous works will get something out of it.
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The Jungle Book 2 is yet another weaker additions in Disney’s arsenal of needless sequels and although this did get released theatrically, it was originally planned as a DTV release which this should have been relegated to along with all the rest. It’s not terrible and younger viewers might enjoy it as it’s a breezy flick that is only 65-minutes long (sans credits), but adults might not find much to enjoy.
The Slumber Party Massacre is yet another fine release from the folks at Shout Factory who have been at the helm with providing home viewers with some of the more obscure titles.
Dark Horse is the latest in a long line of forgettable direct-to-video horror movies. The acting isn’t very good and the story not well developed. Not even the reliable Tobin Bell, outside of the laugh-induced hair that rivals Lundgren’s in Enemies Closer, can help turn this around.
Equus is an intense and powerful drama featuring amazing performances, both of whom nominated for an Academy Award, from Richard Burton and Peter Firth. It’s not a movie for everybody but I found it to be disturbing yet engrossing through and through.
Commitment is a half-decent martial arts movie with some good fight scenes and a semi-coherant and compelling story with a fine primary character.
Boiler Room unabashedly takes its cues from Wall Street and Glengarry Glenn Ross with a clip from the former being shown and quoted by the characters, so kudos for at least not denying it and claiming to be original through and through. The performances are mostly solid but the screenplay and in particular, the ending needed work because it had potential to be memorable.
Samson and Delilah is one of Cecil Deville’s lavish spectacles with wonderful vistas and color cinematography that is absolutely beautiful and probably one of the reasons the movie has endured as much as it has. The two leads are fine in their roles though hardly memorable but admittedly it’s not a story I was enamored with to go along with a screenplay that isn’t the best in terms of dialogue.
The Agony and the Ecstasy is a massive production and features two fine performances by Charlton Heston and Rex Harrison; it’s also an interesting, widespread, story that keeps one’s attention through the 2-hour running time.