The Final Terror actually isn’t a terrible movie. It’s low budget and the acting isn’t always the best, though it is fun seeing Daryl Hannah and Joe Pantoliano before they were big, and some of the shots done by Andrew Davis (The Fugitive) were quite impressive.
Camp Dread is one bad horror film, amongst so many others that have come and gone; a movie that the likes of Eric Roberts or Danielle Harris couldn’t save. The DVD released by RLJ Entertainment is pretty minimal with OK video and audio transfers and nary a featurette to be found, though to be honest, that might be a good thing…
JLA Adventures: Trapped in Time, unlike its DCU counterparts, is a big downgrade in quality especially with the story, but I get what the filmmakers were after: a tongue-in-cheek comedy adventure and throwback to the old cartoon series; however the humor is pretty basic and really only anyone under the age of 13 might get anything substantial out of it.
The Machine is actually a well made indie science-fiction flick with good performances, some respectable visual and make-up effects. I kind of hope the filmmakers behind the film could at least be a part of any “Ghost in the Shell” adaptation because they did a damn good job with the material here which is more or less around the same concept.
Beyond the Trophy isn’t a good movie. Perdiod, end of the discussion. The performances are at best wooden including Michael Madsen and the story is filled with cliché after cliché to go along with a poorly written script. Add to that, the production values are pretty bad making for a terrible looking picture.
The Mechanic was the perfect role for Charles Bronson who commonly was known for his roles in the Death Wish movies. His performance here was great and worked well opposite Jan-Michael Vincent.
Lake Placid is a fun horror-comedy, with more emphasis on humor, that might not be the best written flick but it’s a breezy enough 82-minutes of sarcastic one-liners and characters, albeit mostly on-dimensional, that you actually enjoy watching, especially a fouled-mouthed Betty White in a small yet pivotal role.
Parts Per Billion had a lot going for it including an impressive cast who, Frank Langella and Gena Rowlands especially, turn in fine performances it’s just that the story never quite gelled and some of the character’s actions were beyond dumb. But beyond that, it was a slow and honestly boring movie to plod through and there are plenty others with a similar plotline that are a lot better (see: Contagion and Perfect Sense).
Adult World isn’t perfect with a clumsy story but the performances by Emma Roberts and John Cusack are both quite good and the film itself is at least watchable though has a limited replay value. The DVD doesn’t have much with minimal features and so-so video/audio transfers.
The Birdcage is a wonderfully hilarious comedy headlined by Robin Williams and Nathan Lane and holds up as well today as it did some 10+ years ago when I last saw it.
Kissing Jessica Stein is a fun, quirky and charming romantic comedy starring two unknowns who both not only can write but aren’t bad actresses either sharing some good on-screen chemistry.
The Pretty One is an interesting little drama toplined by a star-making performance by Zoe Kazan who plays dueling roles. However, the DVD released by Sony is pretty basic with average video and audio transfers and an incredibly short featurette.
Small Time is an easygoing but still well made drama-comedy with great performances all around, but in particular Christopher Meloni, in his post-“Law & Order: SVU” career and Dean Norris of “Breaking Bad” fame having a good time.
The Motel Life is a somber but well acted drama headlined by Emile Hirsch and Stephen Dorff who both work well together playing brothers. The writing is well done and it’s not your typical, run-of-the-mill film interjecting animation into the storytelling.
Alexander: The Ultimate Cut is supposed to be the final cut… the final FINAL cut, and even though I’m still not overly enamored with the film, I can appreciate the production and costume designs, some of the performances and the ambitiousness of the character and story.