This classic film from perennial filmmaker Otto Preminger is a haunting tale filled with amazing performances from its core cast headed by the great Laurence Olivier while Carol Lynley is mesmerizing in the starring role.
This classic film from perennial filmmaker Otto Preminger is a haunting tale filled with amazing performances from its core cast headed by the great Laurence Olivier while Carol Lynley is mesmerizing in the starring role.
Judgment at Nuremberg is an engrossing, engaging and thought provoking court room drama featuring incredible performances from Spencer Tracy, Burt Lancaster and Richard Widmark.
Flaming Star is a different sort of film from Elvis Presley who gives a nice performance in an otherwise OK western (which admittedly is not my favorite genre)
The Twilight Samurai released by Twilight Time is a well made film headlined by a great performance by Hidoyuki Sanada and a strong core story and characters.
Going on 11 seasons, “Two and a Half Men” has shown its age although it never was my brand of humor, though Chuck Lorre-created series rarely are, but when Charlie Sheen was canned and with the departure of Angus T. Jones, even the inclusion of Amber Tamblyn couldn’t help liven up dried up jokes and half-assed plotlines.
Squirm is gleefully cheesy and although it is pretty bad, it’s one of those so bad, it’s good films which got ribbed on “Mystery Science Theater 3000,” although I would suggest watching this version first as the “MST3K” one edited out the gory parts.
Jersey Boys is clearly a passion project for producer/director Clint Eastwood and although the cast perform admirably enough, I never quite found the feature that engrossing but admittedly, I also don’t have much of a connection with the music or the group, so those who do (older crowd) might get more out of the movie than others.
A Most Wanted Man isn’t as great of a movie that I’m sure the filmmakers felt it was but, however, it does excel mostly on the shoulders of the late (and great) Phillip Seymour Hoffman along with an commendable supporting cast including Rachel McAdams and Robin Wright, the latter who was underutilized.
It’s clear that Deepsea Challenge is a passion project for James Cameron and being one of the richest filmmakers, he can afford to, at least partially, finance an expedition of this magnitude, creating new devices to reach further depths than every explored before.
Drive Hard had a nice concept, and a good cast with Jane and Cusack to boot, but the execution was lousty despite some decent dialogue, however the car scenes were poorly done making for missed opportunities.
Premature obviously is predicable but still is a nice twist on reliving the same day plot device and actually attempts to provide an explanation for it. The cast, which outside of Alan Tudyk and Katie Findlay (“The Killing,” “How to Get Away with Murder”) is mostly unknown, all work well with one another while the script has some funny, if not “American Pie”-inspired, humor.
Good People tells the same story that has been done countless times before but does excel, albeit on a limited-basis, to a fine cast including James Franco, Kate Hudson and Tom Wilkinson, all three of whom do a good job while relative newcomer Omar Sy, to the U.S. anyway, is wasted with a cardboard cutout bad guy character laughably nicknamed Genghis Khan.
Planes: Fire & Rescue is a perfectly safe animated movie that children under the age of 12 might enjoy but anyone older, especially adults, might find it to be on the dull side. Still, at least the animation is good and I did enjoy some of the voice acting, but it’s hardly enough to get over a subpar script/plot.
Monkey Shines is certainly one of the more interesting entries into George Romero’s illustrious career and although it wasn’t my cup of tea (I guess the monkey killer subgenre doesn’t quite do it for me), yet it does have its moments and Jason Beghe gives a good performance.
Somewhere in there, The Scribbler is a good concept but poorly executed from both the direction and screenplay, though at the very least Katie Cassidy does well in the title role while the supporting cast, as impressive as they might be, were either miscast or, in the case of Gina Gershon, vastly underutilized.