The Harvey Girls debuts on Blu-ray courtesy of the Warner Archive Collection receiving a new video restoration and stars Judy Garland, John Hodiak, Ray Bolger and Angela Lansbury and is out December 22.
Crash isn’t a movie I found all that great though my interest was mainly for some of the controversy and honestly as strange as the “plot” and characters were, it’s not that out of bounds at least nowadays.
The Rental is a home invasion thriller starring Dan Stevens, Alison Brie, Sheila Vand and Jeremy Allen White and is the directorial debut for Dave Franco.
Cold Light of Day is a 1989 independent crime-drama and arrived on Blu-ray in October by Arrow Video and includes new interviews and featurettes alongside two commentary tracks.
Tenet isn’t one of Christopher Nolan’s better movies but there are some interesting elements and the technical aspects like the visual effects, are top notch and although it’s hard to wrap my head around the concept while watching, it is unique.
The Curse of Frankenstein isn’t one of the great monster horror movies, even amongst the ones by Hammer Films, but I do appreciate taking a different turn of the classic story with Peter Cushing giving it his all to portraying a more unique version.
The Maya Deren Collection release from Kino Classics and Re:Voir has eight films from the prolific independent filmmaker and includes new 2K restorations alongside a good selection of bonus features.
The Lost Weekend is another very well made movie from Billy Wilder and features the Academy Award winning performance from star Ray Milland (and took home the Oscar for picture, director and writing).
Even with the uncomfortable relationship between an adult and teen (or even pre-teen), Diva is still a unique and entertaining oddball of a drama-thriller featuring some wonderful cinematography.
Fellini’s Casanova, while not something I liked a whole lot, and on the lengthy side at 2.5 hours, at least did have enough bizarre moments and characters that kept my attention just wondering what the hell I was watching.
It’s easy to see why Mad Max has reached cult status, even with the low budget, director George Miller, along with star Mel Gibson’s on-screen charisma, is still very well regarded 40 years later.