I cannot describe how much I didn’t like Walking with Dinosaurs from the voice over work to the humor which doesn’t work at all. Also, although the landscape is stunning, the CGI elements aren’t overly impressive but can easily be overlooked.
Best Night Ever is exhibit #152 why Jason Friedberg and Aaron Seltzer should not get anywhere near a camera. Although it is technically a step up from their previous attempts at “humor”, this is still a dry piece that hampered even further with the overused and I pray to god is on its way out, found footage style of “filmmaking”.
Scooby-Doo: Wrestle Mania Mystery isn’t the strongest or best outing of the recent array of Scooby adventures but it’s an enjoyable flick with more than a few laughs even if it’s an 80-minute promotional featurette on the WWE.
While not perfect, Odd Thomas is still a well done fantasy-thriller filled with great performances by Anton Yelchin, Addison Timlin and Willem Dafoe and a wonderfully laid out story that, thanks to its limited box office, will probably never get completed outside of perhaps a TV series on ABC, NBC or TNT.
Out of the Furnace never quite took advantage of a tremendous cast, especially Christian Bale, with a story that’s not very compelling and although I get the symbolism Cooper was going for, it didn’t gel for one reason or another. However, is it worth seeing? I don’t think you’ll regret at least giving it a rental as there are some solid performances and a couple truly good scenes.
“Green Lantern”: The Complete Series was a blast to watch and I actually didn’t mind the changes to the character, based on what I read, or the animation style but it’s not for everyone. The stories are a lot of fun and I couldn’t wait for the next episode; it’s only a shame it got cancelled after only one season. The Blu-ray released through Warner Archive offers up solid video and audio transfers but it is unfortunate no bonus material was included.
Crimes and Misdemeanors might very well be one of Woody Allen’s best films and apparently Allen himself liked it so much he more or less remade it as Match Point decades later (for the record, I also loved MP). It’s a film filled with brilliant performances and two storylines on diverging paths and perfect, if not unsatisfactory for some, conclusions for both.
Anchorman 2: The Legend of Ron Burgundy has a few amusing moments and biting satire on 24-hours news networks, but although the cast seems to work well with one another, I found the movie itself to drag on especially towards the end. As someone who wasn’t a huge fan of the original, I came into this with little expectations and it pretty well met them.
Return to Nuke ‘Em High: Volume 1 is in all honesty not my cup of tea as I’m more of a fan of slasher (Friday the 13th) or serial killer (Halloween, Scream) horror so something like this wasn’t that entertaining to watch though others who are fans of Troma’s previous works will get something out of it.
The Jungle Book 2 is yet another weaker additions in Disney’s arsenal of needless sequels and although this did get released theatrically, it was originally planned as a DTV release which this should have been relegated to along with all the rest. It’s not terrible and younger viewers might enjoy it as it’s a breezy flick that is only 65-minutes long (sans credits), but adults might not find much to enjoy.
Historical inaccuracies aside, Saving Mr. Banks is still a fine drama featuring two wonderful performances from Emma Thompson, who should have received an Oscar nod, and Tom Hanks. Yes, it is emotionally manipulative but it’s for one’s heartstrings not to be pulled at certain scenes.
as if you needed further proof of Uwe Boll’s talent (or lack thereof), In the Name of the King 3 is yet another entry into his lackluster resume. But unlike some of his “finer” films, this is merely a generically bad movie with no redeeming value and not even bad enough to mock. Purcell looks utterly bored and turns in an uninspiring performance.
The Slumber Party Massacre is yet another fine release from the folks at Shout Factory who have been at the helm with providing home viewers with some of the more obscure titles.
Dark Horse is the latest in a long line of forgettable direct-to-video horror movies. The acting isn’t very good and the story not well developed. Not even the reliable Tobin Bell, outside of the laugh-induced hair that rivals Lundgren’s in Enemies Closer, can help turn this around.
Reasonable Doubt is yet another addition to the long line of forgettable direct-to-video films to be released over the years. The plot is contrived, the characters laughable one-dimensional and the performances, albeit forgivable due to the screenplay and dialogue, isn’t the best.