Like a Boss is a poorly conceived, weak friend-comedy that features a couple fine actresses in Byrne and Hayek, but ultimately unfunny film with a plot that, even with a sub-80-minute running time (without end credits), was stretched thin.
, The Front Runner from a technical and acting standpoint is a perfectly fine movie. But the issue comes from the fact it’s not all that important, or at least as important as the filmmakers want it to be, with the ideas presented.
The Disaster Artist is quite the interesting insight into how The Room came into existence, though if you’re looking for answers as to who Tommy Wiseau actually is, you’ll walk away with many more questions than answers.
Overall, I suppose if you have nothing better to watch on a Saturday night, you certainly could to worse than The Guilt Trip, plus if you’re a fan of either Rogen or Streisand, you might enjoy a bit more than I did. In the end, the movie does contain a couple of laughs and the pairing of the two stars was well done, but the script fails.
Celeste and Jesse Forever does have some things going for it like the chemistry between Rashida Jones and Andy Samberg but how the main character, Celeste, was written (partially by Jones herself) made her come across as awfully self-centered and the key scene where she seeks redemption doesn’t help matters as it takes place at her best friend’s wedding.
What’s Your Number is another rom-com that doesn’t exactly break the mold for the genre. You get the old boy meets girl routine and some convoluted and even inane plot points but help me, I did manage to laugh a few times thanks mainly to Anna Faris. Make no mistake, it’s not a good movie and I’d that it might only be worth to Netflix if anything.