It’s not hard to see why Jupiter Ascending was delayed 9 months (and I don’t buy the official reasons) as it was one cluster-f of a film and the problem is, it wasn’t even an entertaining cluster-f. The acting is rather wooden though these actors aren’t given much to work with but on the plus side it looks and sound fantastic, even demo worthy, so if there’s any reason to pop this movie in, it’d be to show off your home theater.
I didn’t find Stay as You Are (Cosi’ Come Sei) to be anything extraordinary, though it is controversial, but Nastassja Kinski is fantastic and at least the story itself had some compelling elements. Unfortunately the Blu-ray release fails in almost every category with piss poor video/audio and only a trailer. Even if you are a big fan of this film or of Italian cinema, this is not worth the price.
Flawless isn’t fantastic with an overwrought crime plotline but makes up for it with two fine performances by Robert De Niro and the late Philip Seymour Hoffman who play well off against one another. Still, it’s not an entirely memorable drama and rightfully fell to the wayside compared to each of the actor’s filmography.
The Drownsman actually isn’t a bad movie but it’s also pretty ordinary for the genre and certainly borrows from Nightmare on Elm Street without the memorable villain instead we get something akin to the Swamp Thing. Aside from that, though, the acting isn’t half bad but the idea of water being scary doesn’t quite work and it seems to take itself too seriously to be considered satire either.
Mississippi Burning is a very well made movie with top notch performances by Gene Hackman and Willem Dafoe to go along with a story that, in some instances, resonates with the news of the day. The Blu-ray released by Twilight Time has good audio/video transfers but is on the disappointing side features-wise.
American Buffalo is what you think a stage play adaptation would be with singular locations, though a more open world in the beginning, and all the Mamet-isms you expect from his dialogue. The acting though is good from both Dustin Hoffman and Denis Franz so even though it is a slow film, it might be worth checking out especially if you can’t see the real thing.
When it comes down to it Mortdecai is just a bad movie. None of the jokes worked and Johnny Depp’s latest outlandish performance is no longer charming and the respectable supporting cast is completely wasted. This is not even worth a rental. As for the Blu-ray, the bonus material is basic while the video/audio transfers are more than respectable.
Fifty Shades of Grey is one of the more blasé “controversial” movies, one which doesn’t appeal to anybody, alienating its fans as well as those who have not read the novels. It also doesn’t help that the filmmakers seem to take the material so seriously and have actors read such terrible dialogue. That said, Dakota Johnson is pretty good and the production design and soundtrack are all far better than this material deserves.
The Pyramid is an all-around bad movie. Yeah, there are a couple of scares but hardly enough to make up for the rest of the crap from the acting to the story. This was also an odd release originally limited and making a paltry amount in the process, it now curses its way onto Blu-ray, courtesy of Fox, with good audio/video transfers but really thin features.
Admittedly, I’m not the biggest fan of supernatural horror or demonic possession flicks with some obvious exceptions (The Exorcist for one) but for some of its flaws, mainly dating itself to the time period with the music and style, Stigmata is a decent enough flick and tolerable thanks to Patricia Arquette and Gabriel Byrne (who two months later would go on to play Satan in End of Days).
The Barber isn’t an altogether terrible movie but it doesn’t exactly break new ground in the genre and greatly benefits from the performance from veteran actor Scott Glenn. The Blu-ray released by Arc Entertainment offers good video/audio transfers and only some deleted scenes and a trailer.
The Gambler isn’t the worst film around but it’s uninspiring and lacks energy which is a shame considering the cast assembled, and that does include Mark Wahlberg, but otherwise the writing is subpar and the plot itself is just all around dull. For his part, John Goodman was a lot of fun to watch it’s just unfortunate it was more or less a cameo appearance.
April Love on some levels is a product of its time though with movies like Endless Love and any number of Nicholas Sparks’ adaptations, you take out the musical moments the story is more or less similar from the romantic and melodramatic scenes. That said, it’s not an altogether bad movie though not sure what kind of replay value it has, but Pat Boone and Shirley Jones share good chemistry.
From the Dark is an effective Irish horror-thriller that, in spite of two main characters who aren’t the most likeable couple, has some scary scenes. Plot-wise, it’s more or less the same as many other independent flicks but if you enjoy the genre, this might be worth at least a rental.
Much like its predecessor, The Marine 4 is a passable but ultimately forgettable action film. The bullets fly all over the place and are overused to the point of being annoying and downright repetitive and boring. For fans of this franchise, this will probably do just enough for you otherwise just outright skip this release.