The Final Word on Physical Media
The Boston Strangler is a well done, if not methodical, crime-suspense-drama featuring a plethora of fine performances from the likes of Henry Fonda and George Kennedy, but the standout is Tony Curtis playing against type as the murderous Albert DeSalvo.
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it’s not hard to see why The Disappointments Room had trouble getting released until Rogue Pictures eventually dumped it to theaters with a loud thud grabbing a mere $2.4 million. Unfortunately this wasn’t some ignored gem and instead a mess of a supernatural horror film.
When the Bough Breaks is a laughably bad and overly clichéd thriller with a story that has been done numerous times, especially on the Lifetime Movie Channel and if not for Morris Chestnut who tried so hard to rise above the awful screenplay, this would be an absolute chore to sit through, and even so, it was still rough sledding.
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Underworld is a rather dated sci-fi horror film that took a lot of influence from the then fresh Matrix yet there’s still some entertainment value and Kate Beckinsale makes the most with the material she was given… and it’s never a bad thing seeing her in tight clothing.
Blair Witch wasn’t a complete misfire of a horror film and as found footage movies go, it’s at least tolerable and features an amiable young cast, however thanks to an overabundant usage of sound design and clichéd jump scares, this doesn’t live up to the potential. Good news is, it is better than Book of Shadows so… it has that going for it.
Florence Foster Jenkins on the whole isn’t exactly a memorable film in of itself but with yet another great performance by Meryl Streep, with honorable mentions to Hugh Grant and Simon Helberg, makes it at least a worthwhile watch if only to see the acting tour-de-force.
Creepshow 2 certainly isn’t as good as its predecessor (which had a fantastic line-up of actors) but this sequel is still a lot of fun with one memorable line (“Thanks for the ride, lady!”). While I wasn’t a fan of ‘Old Chief Wood’nhead’, the other two stories weren’t bad at all.
This adaptation of Ben-Hur wasn’t as bad as I thought it would be but that doesn’t mean it should’ve been made. However, at least Jack Huston gives an earnest and heartfelt performance while Morgan Freeman basically phoned in his performance and the visual effects were mostly impressive.
The Driller Killer is certainly an odd little horror-thriller that isn’t technically good per se but fascinating nevertheless with a darkly fun performance from star and director Abel Ferrara (credited as Jimmy Laine).
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Downton Abbey is one of more compelling television shows on and between the excellent performances and amazing production and costume designs, it’s easy to see why it has captured audience’s attention on both sides of the pond.
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The Devil’s Dolls is a standard but effective enough horror flick with some OK performances and nice atmosphere. It doesn’t break new ground in the genre, both in terms of story and direction, but fans of the genre might get something out of it.
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Dark Water is a creepy as all hell J-horror flick and probably my second favorite in the genre behind Ringu, though this one has some scary scenes no less than the final one. Director Hideo Nakata, along with the creepy factor, provides a thoughtful, character-centric, exercise.
31 is another below average horror movie from Rob Zombie though the opening sequence with a creepy ass performance from Robert Brake at least was memorable, shame the movie wasn’t about his psychotic clown character.
The Unspoken could’ve been a fine, if not ho-hum, supernatural horror flick but all of that is undone by a heavy-handed score and far too many jump scares that were far more annoying than actually scary.
Elena of Avalor: Ready to Rule is a fun little show that younger viewers, or perhaps older ones who like these Disney cartoons, will enjoy and admittedly a few of the jokes made me chuckle. It is unfortunate that the channel continues to put out these volume-like sets instead of complete seasons.
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