There’s no real shock here, but Deadly Eyes, based on a novel entitled “The Rats”, is a cheesy little picture but it has its fan base and honestly, even though this kind of horror isn’t my thing (I have a preference for the slasher subgenre), it’s at least quasi-entertaining.
Radio Days is a fun yet poignant trip down Allen’s nostalgia lane and features excellent performances from various cast members including a young Seth Green as well as Allen staple Mia Farrow.
Make Your Move is like any other dance film that has come down the pike over the years down to the star-crossed lovers from opposite sides of whatever spectrum (in fact this one makes no bones there is a Romeo & Juliet element to the romance). That said, the music isn’t bad and the acting above average considering the material.
Born Yesterday is a wonderful drama-comedy with a great performance from Judy Holliday who was well deserving of her Oscar win.
Brannigan might not be John Wayne in his prime, not even close as he would succumb to cancer four years later, but it’s still a fun little flick with some decent action scenes and even better performances from (nearly) everyone around.
Violent Saturday has a minor following and is much beloved by some, though for me, while entertaining, I didn’t quite find it entirely enthralling, however, the performances are all well done.
Save Your Legs is a good movie and probably even more profound to the fan of cricket, which is not me (I can’t even get into soccer for crying out loud), but it’s still an oft funny flick with an amiable cast.
“Star Trek: The Next Generation”: Chain of Command is a solid two-part episode highlighted more by the performances and plot than the set-up which was at best forced. Still, Patrick Stewart’s acting is some of his best ever on the series and Ronny Cox’s appearance gives that storyline some weight and decent drama.
Winter’s Tale has a lot going for it from a decently high production design, a well rounded cast headlined by Colin Farrell and Russell Crowe, but with such an apparently difficult novel to adapt for feature film, what we get instead is disjointed and doesn’t have the right pacing.
The Final Terror actually isn’t a terrible movie. It’s low budget and the acting isn’t always the best, though it is fun seeing Daryl Hannah and Joe Pantoliano before they were big, and some of the shots done by Andrew Davis (The Fugitive) were quite impressive.
Camp Dread is one bad horror film, amongst so many others that have come and gone; a movie that the likes of Eric Roberts or Danielle Harris couldn’t save. The DVD released by RLJ Entertainment is pretty minimal with OK video and audio transfers and nary a featurette to be found, though to be honest, that might be a good thing…
JLA Adventures: Trapped in Time, unlike its DCU counterparts, is a big downgrade in quality especially with the story, but I get what the filmmakers were after: a tongue-in-cheek comedy adventure and throwback to the old cartoon series; however the humor is pretty basic and really only anyone under the age of 13 might get anything substantial out of it.
The Machine is actually a well made indie science-fiction flick with good performances, some respectable visual and make-up effects. I kind of hope the filmmakers behind the film could at least be a part of any “Ghost in the Shell” adaptation because they did a damn good job with the material here which is more or less around the same concept.
Beyond the Trophy isn’t a good movie. Perdiod, end of the discussion. The performances are at best wooden including Michael Madsen and the story is filled with cliché after cliché to go along with a poorly written script. Add to that, the production values are pretty bad making for a terrible looking picture.